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Key words and phrases: accurate record, keeping tabs on, adjust, catalogue
 
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You'll find the transcript here: http://www.bbc.co.uk/learningenglish/english/features/lingohack/ep-180606 The story: Using a smart bin to tackle food waste Vocabulary: * accurate record – stored information which is correct and without error * keeping tabs on – watching closely and carefully * adjust – make small changes in something, often to correct it * catalogue – record something, often in a list Do you want to learn how to speak English? Then join us here on YouTube for great grammar, drama, news, study, pronunciation, vocabulary, music, interviews and celebrity videos. Every day we have a new video to help you with English. We also produce regular 'extra' videos across the week so come back every day to see what's new. MONDAY: The English We Speak TUESDAY: News Review WEDNESDAY: LingoHack THURSDAY: 6 Minute English FRIDAY: The Experiment (watch this space for new and exciting content that we are trying out!) Please use English when you comment. For more videos and content that will help you learn English, visit our website: http://www.bbclearningenglish.com
Views: 18214 BBC Learning English
The most feared song in jazz, explained
 
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Making sense of John Coltrane's "Giant Steps." Follow Vox Earworm on Facebook for more: http://www.facebook.com/VoxEarworm And be sure to check out Earworm's complete first season here: http://bit.ly/2QCwhMH John Coltrane, one of jazz history’s most revered saxophonists, released “Giant Steps” in 1959. It’s known across the jazz world as one of the most challenging compositions to improvise over for two reasons - it’s fast and it’s in three keys. Braxton Cook and Adam Neely give me a crash course in music theory to help me understand this notoriously difficult song, and I’m bringing you along for the ride. Even if you don’t understand a lick of music theory, you’ll likely walk away with an appreciation for this musical puzzle. Braxton Cook: https://www.braxtoncook.com/ Adam Neely: https://www.youtube.com/adamneely Some songs don't just stick in your head, they change the music world forever. Join Estelle Caswell on a musical journey to discover the stories behind your favorite songs. Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com. Watch our full video catalog: http://goo.gl/IZONyE Follow Vox on Facebook: http://goo.gl/U2g06o Or Twitter: http://goo.gl/XFrZ5H
Views: 3244459 Vox
Using the Ancestry.com Card Catalog | Ancestry
 
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Much like a card catalog in a library shows you what books are available, the Ancestry Card Catalog is a listing of the databases available online. Join Crista Cowan as she shows you how to use this free resource to see what is available at Ancestry.com and how it will help your family history research. Start Your Journey Today: http://www.ancestry.com/s89637/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Using the Ancestry.com Card Catalog | Ancestry https://www.youtube.com/user/AncestryCom
Views: 41070 Ancestry
RDA for Copy Catalogers: The Basics
 
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An ALCTS webinar. Copy cataloging often involves matching an existing bibliographic record to an item. Determining whether or not a bibliographic record is a match can depend upon knowing what guidelines were used in the construction of the description. This webinar seeks to provide an understanding of the variations in bibliographic description that occur within a shared cataloging environment when a variety of rules guide the process of record creation. The primary focus is on the application of specific RDA guidelines in the creation of bibliographic description through the use of excerpts from RDA, sample title pages, and sample bibliographic records. Special attention is paid to the basic principles and organization of RDA, and its relationship to FRBR. Examples highlight the variation in descriptions that can result from the application of RDA guidelines and options, as well as how these descriptions vary from those based on the application of AACR2. Presented on 09/09/2015 by Vicki Sipe.
Views: 3936 alctsce
Sourcing Your Vitals - Citations for Birth, Marriage and Death Records | Ancestry
 
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Part of our continuing sourcing series, Ancestry Anne walks you through how to source vital records from Ancestry.com and elsewhere. Start Your Journey Today: http://www.ancestry.com/s89770/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Sourcing Your Vitals - Citations for Birth, Marriage and Death Records | Ancestry https://www.youtube.com/user/AncestryCom
Views: 8564 Ancestry
Updates to the National Archives Catalog (2016 March 16)
 
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Updates to the National Archives Catalog Jason Clingerman, chief of the Digital Public Access Branch, will demonstrate recent updates to the National Archives Catalog (https://catalog.archives.gov/) and how you can further your research using this online tool. TRANSCRIPT: The captioning text is available as a transcript. Send your request to [email protected] PRESENTATION SLIDES: http://www.archives.gov/calendar/know-your-records/handouts-presentations/clingerman-catalog-presentation.pdf HANDOUT: http://www.archives.gov/calendar/know-your-records/handouts-presentations/clingerman-catalog-handout.pdf Learn more about the "Know Your Records" program at www.archives.gov/calendar/know-your-records.
THE RAGTIME JOCKEY MAN by Maurice Burkhart 1912 "UNITED RECORD" Label
 
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Here is a fun tune recorded in 1912 by Maurice Burkhart on a United Record label 78 rpm record with an oversized spindle. It is the standard 10 inch diameter disc. The UNITED RECORD label 78 rpm record is from the United Talking Machine Co, Chicago, Ill, c.1908-1916. This was a strictly mail-order phonograph company that sold phonographs with an oversized spindle, a little over 1-3/8" diameter. The only records you could play on them were, incidentally, sold by mail-order from this same company, using their UNITED RECORD label. The United Talking Machine Company didn't actually make phonographs. Instead, they contracted Columbia Graphonola to make them, also in Chicago. As you'd expect, they look very similar to the Columbia phonographs of the period, only with the oversized spindle. They didn't actually make their own records, either. United bought unused pressings from Columbia Records, punched a bigger hole and pasted their label over Columbia's. Sometimes United changed the artist credit, and sometimes they didn't. This record is identical to the Columbia catalog, same songs, artist, and catalog number. Not too surprising. This is not a rare song as it is available from Columbia records of the period, just kind of hard to find anyhting on this fairly obscure label. Enjoy!
Views: 2041 cdbpdx
Christian Howes - American Spirit - Mini Documentary
 
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Christian Howes - American Spirit Release Date: October 30, 2015 Featured Artists: Christian Howes - Violin, Octave Geiger Josh Nelson - Piano Hamilton Hardin - Piano, Organ Ben Williams - Bass Greg Hutchinson - Drums Resonance Catalog: http://www.ResonanceRecords.org Amazon: http://amzn.to/1WIID3d iTunes: http://apple.co/1OTqle6 For more than 20 years, renowned violinist/composer Christian Howes has been powerfully moving audiences all over the world as an artist with a distinctly American voice, forging ground at the intersections of jazz, classical, and world music. But when the U.S. State Department invited him to Montenegro and war-torn Ukraine in the past year, it was Christian's turn to be profoundly affected. These and other recent developments in the violinist's career and personal life have inspired Howes to call for a "reframing of the discussion about what it is to take pride in being American" on the Ohio native's fourth recording for Resonance Records – American Spirit. “Working with the Embassies in the Ukraine and Montenegro after years of international tours, noticing the polarization in America, and feeling an urge to stand for something bigger than myself as my daughter leaves for college – all of these things have inspired me to think about what it means to be American,” Howes asserts. “Growing up in the ‘80s, the idea of American pride was taught to me in relation to events specific to that era, but we are in a different time now. This project is my way of inviting people to reflect on, articulate and express what American Spirit means for them today. No one group of people or ideology should be able to claim exclusive ownership of this pride. We should each claim it for ourselves on our own terms. I believe we can grow together through this process.” “This newest recording finds him breathing fresh air into the tried and true, from spirituals to classic blues to slices of pop culture to familiar Americana and classical expressions, in a program of eight standards leavened with three of his originals,” Willard Jenkins reveals in his liner notes included with the recording. That breath of fresh air is not to be underestimated, according to Resonance Records President and Founder George Klabin, whose experience in the jazz industry dates back to the mid-‘60s. “Christian Howes is in my opinion the finest jazz violinist alive,” Klabin proclaims without hesitation. “He is able to play many styles of music at the highest artistic level. His improvisations are consistently brilliant and inventive, and his technique is truly remarkable.” In American Spirit, Howes displays versatility, virtuosity and depth, having selected songs that reflect different periods of American history during the past 150 years, re-envisioned to express a diverse range of American voices and perspectives on America, all bound by a common thread. Other Christian Howes releases on Resonance Records: Heartfelt (2008), Out of the Blue (2010), Southern Exposure with special guest Richard Galliano (2013) “Arguably the most intriguing young violinist in jazz.” – Minneapolis Tribune 2011 DownBeat Critics Poll #1 “Rising Star – Violinist” 2011 Jazz Journalists Association “Violinist of the Year”
Views: 1969 resonancerecords
Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973, [Super 24bit HD Remaster], HQ
 
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Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973, [Super 24bit HD Remaster], HQ Recorded: December 10, 1973 Stax Studio's, Memphis, Tennessee Remixed & Remastered. "It's Midnight" is a 1974 song by Elvis Presley. It was written together by Jerry Chesnut and Billy Edd Wheeler. Elvis Presley recorded it during his December 10–16, 1973 recording sessions at Stax Records in Memphis. The session produced three more charting songs: "Promised Land", "If You Talk in Your Sleep" and "Help Me" ("If You Talk in Your Sleep"'s B-side). The song was first released in October 1974 as a B-side to a cover of Chuck Berry's "Promised Land" (While the Goldmine Standard Catalog of American Records indicates "Promised Land" as the A-side, different pressings have "It's Midnight" as the A-side and "Promised Land" as a B-side and vice versa.) "Promised Land" rose to number 14 on the Billboard Hot 100, while the two sides together (as "It's Midnight / Promised Land") and "It's Midnight" on its own charted on the Hot Country Singles chart. "It's Midnight" peaked on it at number 9 in January 1975. Billboard in its review of the album Promised Land (in the January 18, 1975 issue) picked "It's Midnight" as one of the best cuts on the album. https://en.wikipedia.org/wiki/It%27s_Midnight_(song) Elvis Presley's 1973 Recording Sessions at Stax Studios http://www.elvis-history-blog.com/elvis-stax.html Check out my friend Max H Channel. He's developed a mathematical approach to defeating the loudness war & restoring audio dynamics using The Golden Audio Curve. Sub to his channel here: https://www.youtube.com/channel/UCZIgse8tY55d6mThByA8K3A -------------------- SOURCE FILE: Taken from the bootleg album set: (2012) - Elvis Presley - Unedited Masters [4CD Box] CD3 - STAX 1973 ---------- HD REMASTER: Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973 foobar2000 1.3.19 / Dynamic Range Meter 1.1.1 log date: 2018-07-06 23:47:20 -------------------------------------------------------------------------------- Statistics for: Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973 Number of samples: 26976000 Duration: 4:41 -------------------------------------------------------------------------------- Peak Value: -0.17 dB --- -0.63 dB Avg RMS: -15.04 dB --- -15.33 dB DR channel: 11.13 dB --- 11.04 dB -------------------------------------------------------------------------------- Official DR Value: DR11 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 4608 kbps Codec: PCM ======================================== Software Used: Adobe Audition CC iZotope RX6 Advanced SBX Pro Studio FXSound Enhancer Foobar2000 (Resampler SoX Mod2) Terry West - Relife Waves - RBass Stereo Waves - S1 Shuffler-Stereo Waves - Center-Stereo Ozone 8 - Imager Zynaptiq Unchirp Remastered using iZotope Ozone 8 + Neutron 2 Tonal Balance Control Elvis Presley - Bootlegs (Super 24bit HD Remasters) https://www.youtube.com/playlist?list=PLGxZmf7kgdISDpe1fImdKUSdKYqQT7Fg2 ..... *If you enjoyed the video you watched - Let me know you were here by leaving a Like (thumbs up) or Comment. Thanks! Subscribe if you like my channel :)
Views: 515 HD_AUDIO
Resources for African American Genealogy Research | Ancestry
 
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Ancestry.com has a lot of resources available for African American genealogy research. Join Crista Cowan as she highlights some of these collections and shares some tips and tricks for making use of these records. For more in this series check out the following videos. Quick Tips for African American Family History Research: http://www.youtube.com/watch?v=EtN_f0jcwFM Solving African American Family History Research Challenges: http://www.youtube.com/watch?v=jjrNuk9dY7Q Start Your Journey Today: http://www.ancestry.com/s89708/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Resources for African American Genealogy Research | Ancestry https://www.youtube.com/user/AncestryCom
Views: 22964 Ancestry
American Standard Touchless Kitchen Faucet Ad – Family Life
 
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Faucets styled for today. American Standard offers a full line of beautiful, functional kitchen faucets for everyday use. From hair dye to play time, our touchless kitchen faucet makes easy, hands-free operation a possibility. Our innovative kitchen faucets stand up to the busiest of homes, with quality and functionality that can’t be beat. Learn more about our amazing bathroom & kitchen faucets: http://promotions.americanstandard.com/faucets/ Subscribe to our Channel: http://www.bit.ly/AmericanStandardSubscribe American Standard on Facebook: https://www.facebook.com/AmericanStandardPlumbing American Standard on Twitter: https://twitter.com/AMStandard American Standard on Instagram: https://www.instagram.com/american_standard/ American Standard on Pinterest: https://www.pinterest.com/amstandard Find More Great Videos from American Standard: https://www.youtube.com/user/AmericanStandard01/featured Check out our Luxury Bathroom Products at DXV by American Standard: https://www.youtube.com/user/DXVLuxury/videos
Views: 352620 American Standard
Seven Mary Three - Strangely At Home Here
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 49312 CYHQ
Genealogy Standards:  Names, Dates, and Places | Ancestry
 
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Did you know that there are standards in place for how we enter names, dates, and places into our family trees? Does it matter if you follow the standards or not? Join Crista Cowan for a look at these standards and a discussion about WHY they are important to follow. Start Your Journey Today: http://www.ancestry.com/s90446/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Genealogy Standards: Names, Dates, and Places | Ancestry https://www.youtube.com/user/AncestryCom
Views: 9010 Ancestry
Seven Mary Three - Laughing Out Loud
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 19227 CYHQ
"My Little Canoe" Mina Hickman (most popular female to make records before Ada Jones?) 1904
 
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Mina Hickman sings "My Little Canoe" on American Record Company disc #030847 from 1904, issued early 1905. Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 67 Tim Gracyk
When You Can't Find A Death Record | Ancestry
 
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We all know the importance of finding documentation about the facts we put into our family tree. But, what happens when you can't find the records you need? Join Crista Cowan for a look at all the places you find death information. Start Your Journey Today: http://www.ancestry.com/s89537/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry When You Can't Find A Death Record | Ancestry https://www.youtube.com/user/AncestryCom
Views: 20309 Ancestry
Byron G. Harlan "Mamma's Boy" American Record disc circa 1904
 
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Byron G. Harlan sings "Mamma's Boy" on an American Record disc issued circa 1904. Music is by J. Fred Helf. Words are by Harry Sinclair. Harlan was born on August 29, 1861. The tenor became known as half of a popular duo, but Harlan made many records without Arthur Collins. Harlan specialized in sentimental ballads and rube numbers. He was born in Kansas as George Byron Harlan. An Edison catalog states that his birthplace was Lynn, Kansas, but Harlan's widow reported that the singer was born in Paris, Kansas. His father, George Winchester Harlan, moved the family to Sioux City, Iowa, to begin a brick business, then moved the family to Canton, South Dakota, where he operated an overland stage. The young Byron G. Harlan joined touring companies. Walsh writes in the March 1965 issue of Hobbies, "He got his first chance in...show business when Gus Brigham, a traveler for 'the Yanes Piano House,' heard him singing while he was working as a hotel clerk in South Dakota, and told the manager of the Hess Opera Company about him. Harlan became a member of the Newton Beers' 'Lost In London' company, then was with Hoyt's 'A Texas Steer' for three and one-half years..." At age 24 "he went to Chicago and studied music...After gaining valuable theatrical experience by his appearances in opera, he accepted a part with Otis Harlan in A Texas Steer. Later he became a producer and had a company of his own. His singing of 'coon' and 'rag' songs gained him much renown and when the phonograph came into general use he became an Edison artist." The statement that he was famous for singing "coon" and "rag" songs is curious since he almost never recorded such songs as a solo artist. Harlan formed his own "Lost In London" theatrical company and by 1899 reached Orange, New Jersey. Walter Miller, Edison's recording director, invited Harlan to make cylinders. Harlan's first record may be "Please, Mr. Conductor, Don't Put Me Off The Train," issued as Edison 7219 in the autumn of 1899. From the beginning he was associated with sentimental numbers. Harlan settled in Orange for the rest of his life and was a personal friend of Thomas A. Edison. Walsh writes in "The Funny Side of the Phonograph World" published in the May 1952 issue of American Record Guide, "When Byron was married, the inventor gave him the then latest model Edison cylinder phonograph as a wedding present, and when Mr. and Mrs. Harlan's daughter was graduated from high school, he presented her with an Official Model Diamond Disc instrument." Harlan made no Berliners. He made early Columbia discs though discs with low catalog numbers usually featured other singers on initial pressings, Harlan being issued on later pressings. Victor discs followed a session on October 31, 1902. On this date he worked as a solo artist but also was teamed with Arthur Collins, perhaps for the first time (in the previous year, Collins cut duets with tenor Joe Natus). Collins and Harlan recorded five titles during that Victor session. Around 1902, Harlan recorded ten Edison selections with whistler Joe Belmont. From 1901 to 1909 he made 50 Edison recordings with fellow Orange resident Frank C. Stanley. The two recorded for other companies, He was paired often with Steve Porter in rube sketches. His earliest regular partner was bass A.D. Madeira. An Edison ensemble called the Big Four Quartet combined the duo Harlan and Madeira with the duo Collins and Natus, and from this sprang eventually the team of Collins and Harlan. He probably cut more material for Leeds & Catlin in 1905 than any other artist. He was especially successful with "child" ballads, or songs with lyrics featuring a child's point of view. The February 1907 issue of Edison Phonograph Monthly states, "Mr. Harlan occupies an almost unique position in the talking machine world as a singer of these songs." A popular rube song is "They Gotta Quit Kickin' My Dawg Aroun'." It was among the first records he made after recovering from a serious illness in 1911 (Collins worked with Albert Campbell until Harlan was well again). The January 1912 issue of Edison Phonograph Monthly, announcing the March release of "I Want To Be Down Home In Dixie" performed by Collins and Harlan on Amberol 948, states, "Mr. Harlan is just getting around again after his long illness, and his voice sounds fresher and more pleasing than ever." In the 1910s Harlan as solo artist recorded fewer sentimental numbers. Songs with child or "kid" themes remained fashionable for female singers such as Irene Franklin and Frances White but not for male singers. Companies increasingly relied upon Will Oakland and Manuel Romain for sentimental material. Harlan as a solo artist performed mostly as a rube singer, sometimes using the name Cyrus Pippins. Other pseudonyms include Deacon Treadway (for Pathé), Bert Terry, Byron Holland, Chester Lincoln, and Cy Stebbins. He died on September 11, 1936.
Views: 188 Tim Gracyk
Ada Jones "Just Plain Folks" on Edison Standard Record 9085 (1905)
 
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Ada Jones sings "Just Plain Folks" on Edison Standard Record 9085, issued in 1905. Ada Jones lived from June 1, 1873, to May 2, 1922. She was the leading female recording artist in the acoustic recording era, especially popular from 1905 to 1912 or so. Her singing range was limited, but she was remarkably versatile, successful with vaudeville sketches, sentimental ballads, hits from Broadway shows, British music hall material, "coon" and ragtime songs, and Irish comic songs. She was known for an ability to mimic dialects. Victor catalogs listed roles at which she excelled: "Whether Miss Jones' impersonation be that of a darky wench, a little German maiden, a 'fresh' saleslady, a cowboy girl, a country damsel, Mrs. Flanagan or an Irish colleen, a Bowery tough girl, a newsboy or a grandmother, it is invariably a perfect one of its kind." Columbia catalogs as late as 1921 stated: "Miss Jones is without question the cleverest singer of soubrette songs, popular child ballads and popular ragtime hits adaptable for the soprano voice now recording for any Company. She is also one of the most popular singers in the record field and her records have been heard in all quarters of the globe. Her duet records with Mr. [Walter] Van Brunt, unique and entertaining as they are, have also come in for unlimited popular approval." Despite this high praise in Columbia's 1921 catalog, very little of her vast output was available by the early 1920s. For example, of the nearly two hundred titles that she recorded for Columbia from 1904 to 1917, only six remained in the catalog by 1921--five duets and one solo effort, "Cross My Heart and Hope To Die." She was born in her parents' home at 78 Manchester Street in Oldham, Lancashire, England. Her father, James Jones, ran an inn, or public house, named The British Flag--the original building no longer stands. Her mother's maiden name was Ann Jane Walsh. Ada was baptized on June 15 in Oldham's St. Patrick's Church as Ada Jane Jones. Her birth was registered on August 18, 1873. The family moved to Philadelphia by 1879 (documents show that a brother was born there in that year). Her mother died and her father remarried. Ada's stepmother, Annie Douglas Maloney, encouraged Ada to make stage appearances, and "Little Ada Jones" was on the cover of sheet music in the early 1880s. One example is the sheet music for Harry S. Miller's "Barney's Parting" (1883). The January 1921 issue of Farm and Fireside duplicates an 1886 photograph showing Ada Jones as "Jack, a stable boy with song." Ada's stepmother had been hired to make or mend drapes for the Edison company. The Jones family at that time lived nearby in Newark, New Jersey. It is likely that at the studio she saw an opportunity for her talented stepdaughter. Ada's earliest recordings were brown wax cylinders made for Edison in late 1893 or early 1894 (no recording logs of this period exist). Two surviving cylinders are "Sweet Marie" (North American 1289), a song by Raymon Moore, and "The Volunteer Organist" (North American 1292). They are among the earliest commercial recordings of a female singing as a solo artist. Estimating how many female singers preceded Jones is difficult. Moreover, nothing is known of singers such as "Miss Lillian Cleaver, the phenomenal contralto of the Howard Burlesque Co."--she is included in an 1892 New Jersey Phonograph Company catalog described by Jim Walsh in the October 1958 issue of Hobbies. Though Jones would later win fame as a performer of comic numbers, her brown wax cylinders give no hint of her comic talents. During most of her recording years she resided in Huntington Station, Long Island, New York. She died of uremic poisoning (kidney failure) in Rocky Mount, North Carolina, on May 2, 1922, while on a performing tour. Ada Jones is buried in Saint Patrick's Cemetery in Huntington, New York (Section C, Plot 70).
Views: 22 Tim Gracyk
Are You Saving That Record to the Right Person in Your Family Tree? | Ancestry
 
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Sometimes you find records through hints. Sometimes you find them through suggested records. And, sometimes you find them through searching. No matter how you get to the record, you need to be sure you are saving the right record to the right person. Join Crista Cowan for a quick look at how to make sure you are saving the right records to the right people in the right way. Start Your Journey Today: http://www.ancestry.com/s89107/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Are You Saving That Record to the Right Person in Your Family Tree? | Ancestry https://www.youtube.com/user/AncestryCom
Views: 8355 Ancestry
Conjunto Lirico Antillano - Dos Almas - Standard F-4013-A
 
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Title: Dos Almas Artist: Conjunto Lirico Antillano Accompaniment: vocal: Manolín y Claudio Record Label: Standard Catalog Number: F-4013-A Matrix Number: 10-200 Recording Format: 78 Notes: Two Souls. Cantan Manolín y Claudio. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/dos-almas-20 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
Views: 109 Frontera Collection
Seven Mary Three - She Wants Results
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 16890 CYHQ
Billie Holiday with Ray Ellis and His Orchestra - Lady in Satin (1958) - [Smooth Vocal Jazz]
 
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Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 Billie Holiday with Ray Ellis and His Orchestra - Lady in Satin (1958) 00:00 I’m a Fool to Want You (1958) 03:19 For Heaven's Sake (1958) 06:42 You don't Know what Love Is (1958) 10:26 I get Along Without you Very Well (1958) 13:21 For all we Know (1958) 16:12 Violets for your Furs (1958) 19:32 You've Changed (1958) 22:47 It's Easy to Remember (1958) 26:44 But Beautiful (1958) 31:11 Glad to be Unhappy (1958) 35:14 I'll be Around (1958) Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Holiday was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education. While there were other jazz singers with equal talent, Billie Holiday had a voice that captured the attention of her audience. After a turbulent childhood, Holiday began singing in nightclubs around Harlem. After being heard by producer John Hammond, who commended her voice, Holiday was signed to Brunswick Records in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which would later become a jazz standard. Throughout the 1930s and 1940s, Holiday booked mainstream success with labels such as Columbia Records and Decca Records. By the late 1940s, however, Holiday was beset with legal troubles and drug abuse. After a short prison sentence, Holiday performed a sold-out concert at Carnegie Hall. However, due to her drug and alcohol problems, her reputation deteriorated. Though she was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall, Holiday's bad health, coupled with a string of abusive relationships and ongoing drug and alcohol abuse, caused her voice to wither. Her final recordings were met with mixed reaction to her damaged voice, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis of the liver in 1959. A posthumous album, Last Recording, was released following her death. Much of Holiday's material has been rereleased since her death, and she is considered a legendary performer with an ongoing influence on American music. Holiday is the recipient of four Grammy awards, all of them posthumous awards for Best Historical Album. Furthermore, Holiday herself was inducted into the Grammy Hall of Fame in 1973. Lady Sings the Blues, a film centered on Holiday's life, starring Diana Ross, was released in 1972. She is the primary character in the play and later film "Lady Day At Emerson's Bar and Grill" The role was originated by Reenie Upchurch in 1986 and played by Audra McDonald on Broadway (winning a Tony Award) and in the film. FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Billie_Holiday Lady in Satin is an album by jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer and last released in her lifetime (her final album, Last Recording, being recorded in March 1959 and released just after her death). The original album was produced by Irving Townsend, and engineered by Fred Plaut. For the majority of the 1950s, Billie Holiday was signed to jazz producer Norman Granz's Clef Records, which was later absorbed into the newly founded Verve Records by 1956. All of her work for Norman Granz consisted of small jazz combos, reuniting her with musicians she recorded with back in the 1930s when she made her first recordings with Teddy Wilson. There were talks in the early 1950s of Holiday making albums, or songbooks, dedicated to composers such as George and Ira Gershwin and Jerome Kern, but they fell through and ended up going to Ella Fitzgerald when she signed to Verve. By 1957, Holiday had recorded twelve albums for Granz and was unhappy. Therefore, she decided not to renew her contract. FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Lady_in_Satin
Seven Mary Three - Last Kiss
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 96786 CYHQ
Everyday Victory - Wither (Rise Records back catalog circa 1999)
 
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iTunes: http://smarturl.it/ev-oceans-airplanes Rise Records back catalog circa 1999
Views: 1460 riserecords
Mark Wonder - City Streets (Feat. Micah Shemaiah) [Official Video]
 
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2018 Sick Donkey Records - www.SickDonkeyRecords.com https://itunes.apple.com/us/album/cit... Vinyl & dub version coming soon. The music of City Streets has a definitive roots reggae feel. Yet the vocal performance evokes Old Soul, echoing something that was sung in a field long ago. Yet contextually this is a tail that touches on young men decrying corruption in the City of Kingston and the World. Mark Wonder and Micah Shemaiah smoothly and seamlessly trade lines over one of Sick Donkey Records' finest Riddims in their respectable catalog of Roots Reggae and Dancehall. City Streets is built upon the 21 Gun Riddim produced by label founder, Bluejay Hankins aka DJ Sticky. To forge the 21 Gun riddim from strong roots, Bluejay brought together members of Stephen Marley's band including Squidly Cole(drums/keys) and Rica Newell(harmony vocals). The house band also included Seattle's multi instrumentalist Stingshark(bass) and living legend Earl "Chinna" Smith on guitar. Be on the lookout for more great tunes on the 21 Gun Riddim by Exco Levi, Mykal Rose, Tuff Like Iron and more Mark Wonder. Although Jamaica has no shortage of roots singers Mark Wonder is a singular musical force that must be reckoned with. He has been blessed with an awesome musical talent the continues to bless the world with positivity. His powerful and infectious vocal delivery and song craft is undisputed. One can simply not resist singing or rocking to his quality creations. Mark Wonder's music has a universal appeal, whether he is praising the Almighty, chanting revolutionary songs laced with social commentary, or keeping the fire of the ancient ones ablaze. His joyful expressions and contagious love songs are also exemplary of the breathtaking quality and range of this amazing and gifted singer. Micah Shemaiah is a Reggae/Soul singer & songwriter. As a budding promise of reggae talent, Micah Shemaiah is a keenly aware and motivated performer who encourages the empowerment of youths and disadvantaged people worldwide. His writing style embraces and combines several genres of music, thus, delivering unique sounds that will appeal to any ear. Micah is on the next level of budding singers keeping Roots Reggae alive for a new generation. His is becoming a staple in reggae music and a standard bearer in the hearts and minds of reggae lovers. Sick Donkey Records, spearheaded by CEO/producer Bluejay, is a small town based record label with worldwide connections. They have a distinct focus on linking conscious singers, musicians and producers, whether known or soon to be known from around the globe. Bearing a unique name and having worked with artists from Jamaica, North & South America, Japan, Sweden, Germany, Italy, UK, New Zealand, the Virgin Islands and far beyond, Sick Donkey Records have made a positive mark on vast worldwide music scene, with firm roots in Kingston, Jamaica. A shortlist of other artists Bluejay has produced and released on Sick Donkey includes: Anthony B, Sly & Robbie, Junior Reid, Lutan Fyah, Turbulence, Mykal Rose, Chezidek, Dubtonic Kru, Essential I, Half Pint, Jah Sun and Gavinchi Brown link with Sick Donkey Records www.sickdonkeyrecords.com www.Soundcloud.com/Sick-Donkey-Records www.Facebook.com/SickDonkeyRecords www.Youtube.com/SickDonkeyRecords Twitter: @sickdonkey www.instagram.com/sickdonkeyrecords Bluejay www.facebook.com/bj.djsticky.9 www.instagram.com/bluejay_aka_dj_sticky www.twitter.com/bluejayproducer itunes: https://itunes.apple.com/us/album/city-streets-feat-micah-shemaiah-single/1377194846 amazon: https://www.amazon.com/gp/product/B07CQB756X/ref=dm_ws_sp_ps_dp spotify: https://open.spotify.com/album/7yJOvRTWbQeFaEoYNm3Opw?si=7Xx8prO6TL-OmESYG7uZCA Juno: https://www.junodownload.com/products/mark-wonder-micah-shemaiah-city-streets/3751520-02/ Reggae Record: https://www.reggaerecord.com/download/en/description.php?release_id=983118
Views: 10701 MarkWonderVEVO
José Luis Moneró - El Vendedor De Huevos - Standard F-4006-B
 
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Title: El Vendedor De Huevos Artist: José Luis Moneró Accompaniment: With A. Mendez Orchestra Record Label: Standard Catalog Number: F-4006-B Matrix Number: 10-172 Recording Format: 78 Notes: Added 7/25/07. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/el-vendedor-de-huevos-0 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
"He Didn't Know How To Use It" Billy Heins 1904 American Record Company disc BIOGRAPHY OF BILLY HEIN
 
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Billy Heins sings "He Didn't Know How To Use It," comic number issued in 1904 on American Record Company disc #030899. Billy Heins recorded comic and topical numbers for various companies. In 1898 he made three Edison cylinders: "I Want Them Presents Back" (1136), "Hugh McCue" (1137), and "Baby Lize" (1138). In 1899 he made cylinders with the Ancient City Quartet as part of a minstrel series, with numbers ranging from 4700 to 4705. A typical number is "Remus Take The Cake" (4703). He was among the first to make Zon-o-phone discs (seven-inch and nine-inch ones), beginning in 1900. In 1904 he recorded "Dis-pos-zes Means Move" (5954), "Down On The Brandywine" (5955), "Follow The Merry Crowd" (5958), "Hooray For A Holiday" (5965), and "Meet Me In St. Louis, Louis" (5972). These are nine-inch discs. The September 1905 American Record catalog identifies Heins as a baritone. He recorded for American in 1904 and 1905 such titles as "Bill Was There" (030563), "The Color Was Wrong" (030898), and "Money Was Made For Coons To Spend" (030897). As far as is known, these were his final recorded performances as a solo artist. He cut comic routines with Billy Golden in 1917 following the death on March 21, 1917, of Golden's recording partner James Marlowe. One Golden and Heins Victor disc features "A Trip To Paradise" backed by "The Death Of Towser" (35641), recorded on May 24, 1917. The other Victor disc, also twelve-inch, features "In A Bird Store" and "Up For Sentence" (35659). The two made Paramount and Okeh discs around this time. For Rex they cut "A Scheme To Enter Heaven" (5478). For Edison, Golden and Heins made seven Diamond Discs and a number of Blue Amberols, such as "Colored Recruits" (3546) and "Aunt Phoebe's Wedding Day" (4421). In the August 1973 issue of Hobbies, Jim Walsh stated that the comedian "was still living about 20 years ago." Social Security records show that a William Heins was born on November 29, 1874, and died in New York in July 1971. Whether this was the recording artist is unknown.
Views: 77 Tim Gracyk
Conjunto Lírico Antillano - Cuando Me Querras? - Standard F-4011-A
 
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Title: Cuando Me Querras? Artist: Conjunto Lírico Antillano Accompaniment: vocal: Vitín Y Claudio Record Label: Standard Catalog Number: F-4011-A Matrix Number: 10-196 Recording Format: 78 Notes: Added 7/25/07. Cantan Vitín y Claudio View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/cuando-me-querras-0 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
Views: 153 Frontera Collection
Conjunto Lirico Antillano - Rosa Julia - Standard F-4013-B
 
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Title: Rosa Julia Artist: Conjunto Lirico Antillano Accompaniment: vocal: Vitín Y Claudio Record Label: Standard Catalog Number: F-4013-B Matrix Number: 10-194 Recording Format: 78 Notes: Cantan Vitín y Claudio. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/rosa-julia-0 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
Mina Hickman "Sylvie" American Record Company 030932 RARE 1905 (popular before Ada Jones)
 
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Mina Hickman sings "Sylvie" on American Record Company disc #030932. This was recorded in late 1904 and issued in February 1905. Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 28 Tim Gracyk
Yelawolf - American You (Official Music Video)
 
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Pre-order the album Love Story now On iTunes: http://smarturl.it/YelaLoveStory Google Play: http://smarturl.it/YelaLoveStoryGP Amazon MP3: http://smarturl.it/YelaLoveStoryAmz Sign up for updates: http://smarturl.it/Yelawolf.News Best of Yelawolf: https://goo.gl/vy7NZQ Subscribe here: https://goo.gl/ynkVDL #Yelawolf #AmericanYou #Vevo #HipHop #OfficialMusicVideo
Views: 34633566 YelawolfVEVO
Seven Mary Three - Was A Ghost.wmv
 
03:49
BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 11380 CYHQ
Top Tips for Beginning Italian Family History Research | Ancestry
 
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Do you have Italian ancestry? Join Crista Cowan as she shares some of the top tips and record collections that will help you trace your ancestors through their time in the United States and back into Italy. Start Your Journey Today: http://www.ancestry.com/s89640/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Top Tips for Beginning Italian Family History Research | Ancestry https://www.youtube.com/user/AncestryCom
Views: 6491 Ancestry
How to Find Pre-1850 Ancestors | Ancestry
 
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Join Ancestry's own barefoot genealogist, Crista Cowan, as she shows you the answer to this week's question: How do I find my ancestors before 1850? Start Your Journey Today: http://www.ancestry.com/s89910/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry How to Find Pre-1850 Ancestors | Ancestry https://www.youtube.com/user/AncestryCom
Views: 99841 Ancestry
Byron G. Harlan “Let’s Go In To A Picture Show” Edison Standard Record 10269
 
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Byron G. Harlan sings “Let’s Go In To A Picture Show” on Edison Standard Record 10269. Byron G. Harlan was born on August 29, 1861. The tenor became known as half of a popular duo, but Harlan made many records without Arthur Collins. Harlan specialized in sentimental ballads and rube numbers. He was born in Kansas as George Byron Harlan. An Edison catalog states that his birthplace was Lynn, Kansas, but Harlan's widow reported that the singer was born in Paris, Kansas. His father, George Winchester Harlan, moved the family to Sioux City, Iowa, to begin a brick business, then moved the family to Canton, South Dakota, where he operated an overland stage. The young Byron G. Harlan joined touring companies. Walsh writes in the March 1965 issue of Hobbies, "He got his first chance in...show business when Gus Brigham, a traveler for 'the Yanes Piano House,' heard him singing while he was working as a hotel clerk in South Dakota, and told the manager of the Hess Opera Company about him. Harlan became a member of the Newton Beers' 'Lost In London' company, then was with Hoyt's 'A Texas Steer' for three and one-half years..." At age 24 "he went to Chicago and studied music...After gaining valuable theatrical experience by his appearances in opera, he accepted a part with Otis Harlan in A Texas Steer. Later he became a producer and had a company of his own. His singing of 'coon' and 'rag' songs gained him much renown and when the phonograph came into general use he became an Edison artist." Harlan formed his own "Lost In London" theatrical company and by 1899 reached Orange, New Jersey. Walter Miller, Edison's recording director, invited Harlan to make cylinders. Harlan's first record may be "Please, Mr. Conductor, Don't Put Me Off The Train," issued as Edison 7219 in the autumn of 1899. From the beginning he was associated with sentimental numbers. Harlan settled in Orange for the rest of his life and was a personal friend of Thomas A. Edison. Walsh writes in "The Funny Side of the Phonograph World" published in the May 1952 issue of American Record Guide, "When Byron was married, the inventor gave him the then latest model Edison cylinder phonograph as a wedding present, and when Mr. and Mrs. Harlan's daughter was graduated from high school, he presented her with an Official Model Diamond Disc instrument." Harlan made no Berliners. He made early Columbia discs though discs with low catalog numbers usually featured other singers on initial pressings, Harlan being issued on later pressings. Victor discs followed a session on October 31, 1902. On this date he worked as a solo artist but also was teamed with Arthur Collins, perhaps for the first time (in the previous year, Collins cut duets with tenor Joe Natus). Collins and Harlan recorded five titles during that Victor session. Around 1902, Harlan recorded ten Edison selections with whistler Joe Belmont. From 1901 to 1909 he made 50 Edison recordings with fellow Orange resident Frank C. Stanley. The two recorded for other companies, He was paired often with Steve Porter in rube sketches. His earliest regular partner was bass A.D. Madeira. An Edison ensemble called the Big Four Quartet combined the duo Harlan and Madeira with the duo Collins and Natus, and from this sprang eventually the team of Collins and Harlan. He probably cut more material for Leeds & Catlin in 1905 than any other artist. He was especially successful with "child" ballads, or songs with lyrics featuring a child's point of view. The February 1907 issue of Edison Phonograph Monthly states, "Mr. Harlan occupies an almost unique position in the talking machine world as a singer of these songs." A popular rube song is "They Gotta Quit Kickin' My Dawg Aroun'." It was among the first records he made after recovering from a serious illness in 1911 (Collins worked with Albert Campbell until Harlan was well again). The January 1912 issue of Edison Phonograph Monthly, announcing the March release of "I Want To Be Down Home In Dixie" performed by Collins and Harlan on Amberol 948, states, "Mr. Harlan is just getting around again after his long illness, and his voice sounds fresher and more pleasing than ever." In the 1910s Harlan as solo artist recorded fewer sentimental numbers. Songs with child or "kid" themes remained fashionable for female singers such as Irene Franklin and Frances White but not for male singers. Companies increasingly relied upon Will Oakland and Manuel Romain for sentimental material. Harlan as a solo artist performed mostly as a rube singer, sometimes using the name Cyrus Pippins. Other pseudonyms include Deacon Treadway (for Pathé), Bert Terry, Byron Holland, Chester Lincoln, and Cy Stebbins. He died on September 11, 1936.
Views: 257 Tim Gracyk
"My Little Canoe" Mina Hickman (most popular female to make records before Ada Jones?) 1904
 
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Mina Hickman sings "My Little Canoe" on American Record Company disc #030847 from 1904, issued early 1905. Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 29 Tim Gracyk
Card Catalog on Ancestry.com
 
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http://www.familytreeshortcuts.com/the-site/the-card-catalog-is-your-source-for-specific-records/ An unofficial video tutorial about the Ancestry.com website -- presented by www.FamilyTreeShortcuts.com. Visit our website for more Ancestry.com hints and tricks! Transcript: To find specific records databases on Ancestry.com, you'll need to use the Card Catalog. Move the mouse over Search at the top of the screen. Then select Card Catalog. If your screen looks like this instead, you're on the old card catalog. Move the mouse back over Search at the top of the screen, And just click Search All Records. On the very right, click Go to New Search. At that point, you can move the mouse over Search again And select Card Catalog to access the new card catalog. The card catalog is the location of all the different Ancestry.com databases. If you know the specific database that you're looking for, you can type its name in the Title box on the left. Or, if you just know a keyword or two, you can type it in the Keywords box. You can also use the filters. Let's suppose that you're looking for a death record for someone who died in Kentucky in 1922. First, under collection select Birth, Marriage and Death. Then click Death, Burial, Cemetery & Obituaries. Under location, click North America,Then USA. Then Kentucky. Under dates, click 1920s. On the right, you will then see any databases that might be relevant to Kentucky deaths in the 1920s. Not all of them will be useful to you, but if you see one that has potential, you can click it and perform a search exclusively within that database.
Views: 1264 FamilyTreeShortcuts
Orquidea Pino & José Moneró - El Matrimonio Feliz - Standard F-4004-B
 
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Title: El Matrimonio Feliz Artist: Orquidea Pino & José Moneró Accompaniment: With A. Mendez Orchestra Record Label: Standard Catalog Number: F-4004-B Matrix Number: 10-173 Recording Format: 78 Notes: Added 7/25/07. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/el-matrimonio-feliz-0 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
AmericaGen Study Group - Chapter 12 Compiled Sources & Newspapers
 
01:05:32
Practical, down-to-earth advice for family historians. The AmericaGen Study Group - Chapter 12 "Compiled Sources & Newspapers” from Val Greenwood’s The Researchers Guide to American Genealogy, 2017 (Baltimore: Genealogical Publishing Company.) https://www.amazon.com/Researchers-Guide-American-Genealogy-4th/dp/0806320664 Please note all hyperlinks are non-affiliate links. HOMEWORK Note: All panelists were invited ro read the chapter and then write about how that chapter relates to their personal research habits. AmericaGEN Study Group Chapter 12 Combined homework  https://drive.google.com/file/d/1MbCAMkGBts2BgVcseoc1N28EDM0sdjPf/view?usp=sharing SELECTED CHAT 10:02:02 From Janine Edmée Hakim : Hello Dear Myrtle and all the other contributors participants 10:02:05 From Sheri Fenley : Good Morning from Sunny California where it is 75 and we have no idea it is November tomorrow. Where are you Fall? 10:09:29 From Cary Bright : Here is the link to the Alonzo White Acct Bk: http://lcdl.library.cofc.edu/lcdl/catalog/lcdl:113744 10:15:36 From Danine Cozzens : I have many things to ultimately donate to special collections. I’d appreciate more tips on matching the things I have to their best homes. 10:16:34 From Danine Cozzens : Excellent point! 10:17:28 From Danine Cozzens : Wow Russ! Thanks! 10:17:48 From Cousin Russ : Archive Grid https://beta.worldcat.org/archivegrid/ 10:18:13 From Janine Edmée Hakim : museum I am the president of, has a collections management policy that includes the info related to that question. A quick call should be able to get the info fro whoever their contact person is 10:18:51 From Cousin Russ : National Union Catalog of Manuscript Collections http://www.loc.gov/coll/nucmc/ 10:19:21 From Cousin Russ : CONTENT STANDARD (NUCMC) http://files.archivists.org/pubs/DACS2E-2013.pdf 10:20:12 From Danine Cozzens : Presbyterian missionaries archive in Oregon! 10:22:10 From Hilary Gadsby : Finding records in places other than archives is the same over here in UK. 10:22:14 From Danine Cozzens : Great idea calling for references. I’ve been putting off making physical appointments with repositories. Thanks everyone for all the leads! 10:32:38 From Teri Chaffin : yup, we studied that in school and I worked in a library! 10:33:16 From Susan Bleimehl : Just used it yesterday to research French Spoliation articles. 10:33:20 From Danine Cozzens : Knew PERSI but not all the history behind it! 10:34:56 From Cousin Russ : PERSI (Periodical Source Index) https://www.findmypast.com/persi 10:40:30 From Hilary Gadsby : I wonder if they have any of the English family history society journals. I will take a look. 10:46:07 From Melinda Culpon : https://www.amazon.com/Printed-Sources-Published-Genealogical-Records/dp/0916489701 10:46:44 From Melinda Culpon : I bought it used 10:50:15 From Melinda Culpon : portal to texas history - https://texashistory.unt.edu 10:59:10 From Danine Cozzens : Love local newspapers. Be sure to check all of them in one town. In 1876 Visalia, one paper had a mere listing for what its opponent called the wedding of the year— groom was a constant advertiser in the latter. 11:01:27 From Sue Burns to All panelists : I've found several articles in different newspapers regarding family reunions of my relatives. 11:02:14 From Hilary Gadsby : I have come across an article in a local newspaper that was originally in a national paper in the UK 11:06:45 From Danine Cozzens : Thanks so much! 11:07:12 From Danine Cozzens : I know where she lives…. 11:07:35 From Hilary Gadsby : Melinda can I wish you a Happy Birthday 11:07:58 From Danine Cozzens to All panelists : This is changing my research plan — thanks for all the guidance. Myrt’s Musings For future reference, this is the link to DearMYRTLE’s Event Calendar –http://dearmyrtle.com/blog2/index.php/calendar Here’s the link to the GeneaWebinars Blog & Calendar of other genealogy webinars, chats and hangouts – http://blog.geneawebinars.com/p/calendar.html ARCHIVED Most DearMYRTLE Webinars are embedded in a Myrt’s Musings blog post, along with selected comments and links we mention.
Views: 79 DearMYRTLE
Swing Low Sweet Chariot - The Southernaires - Goodson Record - Flexi disc - 78 rpm
 
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Here's Swing Low Sweet Chariot performed byThe Southernaires a vocal quartet from Goodson Record Flexible disc 78 rpm record produced in the 1920's Goodon Records was a Short-lived London-based record company established in the late 1920s by brothers Joe & Jack Goodson. Releases were pressed on two-sided 10" flexi-discs made of a white, non-flammable material called "Rhodoid". he records were made of a white opaque celluloid. They were published in the autumn of 1928. They invented this technology, and then reached out to advertisers to help fund the growth of the company and the broader use of the flat records. Back then the Goodson brothers already understood that the financing of their venture depended on iconic marketing brands to pay for the records development and mass production for mass audiences. This is how their business was built. The Goodson record company was one of the first record companies to adopt a flat plastic record instead of the cylindrical format. And they were flexible, meaning they could be bent with our forefinger and your thumb. The records were produced by the Goodson Record Company, Ltd., 12 Old Burlington Street, London, W.1. (GB). They cost 1s. 9d each. The Goodson records were made from Rhodoid, a synthetic material covered by British and overseas patents. At first they used the records made by the American Emerson-Scranton studios (31000-series). After a few issues they used the Grey Gull-Van Dyke-Radiex catalog. Dominion and Filmophone used that catalog too. At the end they used English matrices exclusively. They have no label like the ordinary records. In fact, the whole record is used to print the information and was in fact a picture disc avant-la-lettre. There are several types. The 31000-series is also found on the Goodson produced discs carrying advertisements for Boothe Chemis, Wellsbach Lamps, Henleys, London Virginia Tobacco Cº and others. It seems that the London Virginia Tobacco Cº records, made for Sketch Virginia Cigarettes were sold in tobacco stores. More info about Goodson records can be found here. http://scottgoodson.typepad.com/my_weblog/2008/10/goodson-record-company.html
Views: 111 videocurios
Top Tips for Beginning German Family History Research | Ancestry
 
24:43
Have ancestors from Germany? Join Crista Cowan as she shows you how to get started in German research, what tools you need access to, and how to find out what German records are available on Ancestry.com. Start Your Journey Today: http://www.ancestry.com/s89695/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Top Tips for Beginning German Family History Research | Ancestry https://www.youtube.com/user/AncestryCom
Views: 22889 Ancestry
Start Searching For Records For Your Jewish Ancestors | Ancestry Academy | Ancestry
 
00:46
Looking for records for your Jewish Ancestors or maybe some ideas on how to get started? Our Jewish Collections page has the answer. Discover even more on Ancestry Academy: http://ancstry.me/2ckESDG Start Your Journey Today: http://www.ancestry.com/s89199/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Start Searching For Records For Your Jewish Ancestors | Ancestry Academy | Ancestry https://www.youtube.com/user/AncestryCom
Views: 2746 Ancestry
Blend W
 
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Anime Snoop Dogg the cute japanese girl finds a free job posting at a maid cafe serving up delicious snacks and a double cheeseburger with dr dre what you thought i was just going to do the short parody video i did a couple of months ago? :^) Parody of the intro for the anime Blend S. Lot of hidden work in this one, a ton of rotoscoping, there was a lot more work than i expected but I'm still pretty happy with it, especially the audio. I also wanted to have a bit more fun with this one instead of doing a 1:1 recreation If you liked the video, please throw me a subscription and a like, it's a good way to keep me going. CREDITS: Animation: Eric Bradford Audio Clean up: beat_shobon ----- Patreon helps me make cool videos like this, and helps me continue to make videos, please consider becoming a patron where you you get rewards such as uncompressed audio and all of my project files: https://www.patreon.com/MowtenDoo ----- LINKS: https://twitter.com/MowtenDoo https://soundcloud.com/mowtendoo https://www.twitch.tv/mowtendoo https://teespring.com/stores/mowtendoo-store
Views: 5262386 MowtenDoo
1991 Radio Shack - America's Technolgy Store Catalog #459
 
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An archive of vintage Radio Shack Catalogs! All catalog pages are displayed in 1080p HD (high definition). To view text clearly, set your YouTube setting to display 1080p HD. Visit www.RadioShackCatalogs.com to view the complete RADIO SHACK CATALOG ARCHIVE, and see... ■ 1939-2002 RadioShack Full-Line Products Catalogs ■ 2003-2011 RadioShack Electronic Parts & Accessories Reference Guides ■ 1977-1992 Tandy Computer & Computer Related Catalogs (including the TRS-80 computer line) ■ 1950-2012 RadioShack Sale Catalogs/flyers (domestic & foreign) ■ 1970-2011 RadioShack TV commercials (videos) ■ 1925-2006 RadioShack Electronic Parts & Accessories Advertisements ■ Vintage Photos of Radio Shack Stores & Hi-Fidelity Show Rooms ■ Tandy Computer "Whiz Kids" Comic Books ■ RadioShack Historical Data ■ RadioShack Memorabilia Authorization to the use of RadioShack related content has been expressly granted to RadioShackCatalogs.com to maintain historical records of RadioShack Corporation. ----------------------------------------------------------------------------------------------------------------------------------------------- ** A BRIEF HISTORY OF RADIO SHACK CORPORATION ** In 1919, in Fort Worth, Texas, with a chance meeting of two friends, Norton Hinckley and Dave L. Tandy (1889-1966). During their visit, these ambitious young fellows decided to pool their resources and go into business together. Two years later (1921) and half a continent away, two London-born Bostonian brothers, Theodore and Milton Deutschmann, opened a one-store retail and mail-order operation in the heart of downtown Boston. These young immigrant brothers wanted to provide amateur and ham radio equipment to the public; much of it was leftover Army gear. To pursue their interests, the brothers opened a retail store (a block from the site of the Boston Massacre). William Halligan, one of Deutschmann's first employees and later the founder of Hallicrafters, suggested the name, “Radio Shack”. They chose the name, "Radio Shack," which was a term for the room that housed a ship's radio equipment. Beginning in 1921, Radio Shack would grow to a handful of stores clustered in the Northeast, and become a leading electronics mail-order distributor to hobbyists. This is how it would remain until the company and a young Texan named Charles Tandy crossed paths four decades later. Meanwhile, the Hinckley-Tandy Leather Company grew modestly through the years. Although the company survived the Great Depression, it was nearly crippled when World War II began in 1941. Mr. Tandy's oldest son, Charles D. Tandy (1918-1978), while serving in the Navy during the war, observed how leathercraft was used as a therapeutic tool for patients in military hospitals and by servicemen in recreation and rehabilitation centers. He told his father that leathercraft was the way to steer the company during the war years – and to prepare for what he believed would be a healthy, new, post-war hobby market. In 1938, Radio Shack issued its first catalog when it entered the high-fidelity music equipment market. In 1947, it opened the nation's first audio showroom; providing amplifiers, speakers, turntables, phonograph cartridges, and the like. In 1954, Radio Shack began to sell their private-label products under the brand name Realistic®. By the 1960s, Radio Shack had expanded to become a leading distributor of electronic parts and products around the world. In 1963, Charles Tandy, bought the company for the equivalent of $300,000 cash. The '70s proved to be a decade of incredible growth for Radio Shack. The incredibly popular citizen-band (CB) radios, were one of its top selling items. Following the highly successful citizen-band (CB) radios in 1977, Radio Shack introduced the first mass-produced personal computer: the TRS-80® microcomputer - Only $599.95. This computer was the creation of a 24-year-old engineer named Steve Leininger. In contrast to build-it-yourself units available at the time, the TRS-80 was fully wired and tested. Although a primitive machine by today's standards, it was a technological and price breakthrough, and overwhelming customer demand caused a production backlog that lasted for months. Over 200,000 TRS-80 Model I computers were sold from 1977 to 1981. The '80s continued to make Radio Shack the "biggest name in little computers". Radio Shack offered the first affordably priced stereo receiver with digital technology, the first mobile/portable cellular telephone and the first high-performance satellite TV system that could be installed by the do-it-yourselfer. The '90s brought an explosion in personal communications. The company invented the Family Radio Service (FRS), which uses license-free 2-way personal radios. RadioShack sold more wireless phones than any other retailer. ...to read more about the history of RadioShack Corporation, visit www.RadioShackCatalogs.com
Views: 155 RadioShack Catalogs
Sarah Vaughan - How High The Moon (Live @ Mister Kelly's Chicago) 1957
 
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"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show, where it was sung by Alfred Drake and Frances Comstock. In "Two for the Show", this was a rare serious moment in an otherwise humorous revue. The song was sung, in a slow fox trot tempo, by a group of evening-dressed people walking along a London street. At the end, they all looked at the sky, and cowered, obviously terrified: quick curtain. It was 1940, and the time of the London blitz: a clear night meant "bomber's moon". The earliest recorded hit version was by Benny Goodman & His Orchestra. It was recorded February 7, 1940 and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose". The Les Paul Trio recorded a version released as V-Disc 540B with a spoken introduction which was issued in November, 1945 by the U.S. War Department. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side "Willow, Weep for Me") and 15117(with the flip side "Interlude"). It reached the Billboard magazine Best Seller chart on July 9, 1948, its only week on the chart, at #27. The best-known recording of the song is by Les Paul and Mary Ford, made on January 4, 1951. The record was released by Capitol Records as catalog number 1451, with the flip side "Walkin' and Whistlin' Blues", and spent 25 weeks (beginning on March 23, 1951) on the Billboard chart, 9 weeks at #1. The record was subsequently re-released by Capitol as catalog number 1675, with "Josephine" on the B-side. The song was sung in various recordings by Ella Fitzgerald, becoming (with the Gershwin's "Oh, Lady Be Good!") Ella's signature tune. She first performed the song at Carnegie Hall on September 29, 1947. Her first recording, backed by the Daydreamers, was recorded December 20, 1947 and released by Decca Records as catalog number 24387, with the flip side "You Turned the Tables on Me". Her most celebrated recording of "How High the Moon" is on her 1960 album Ella in Berlin, and her version was inducted into the Grammy Hall of Fame in 2002, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." "At Mister Kelly's" is a 1957 live album by American jazz singer Sarah Vaughan, recorded at Mister Kelly's jazz club in Chicago. The Allmusic review by John Bush awarded the album four and a half stars and said that At Mister Kelly's captures Vaughan at her "best and most relaxed", stating that "her unerring sense of rhythm carries her through every song on this set, whether the occasion calls for playfulness and wit ("Thou Swell," "Honeysuckle Rose") or a world-wise melancholia ("Willow Weep for Me")". Bush also praises Jimmy Jones and Roy Haynes. Sarah's accompanied by Jimmy Jones (piano), Richard Davis (bass) & Roy Haynes (drums). Recorded in Chicago, Illinois, August 6-8, 1957. (EmArcy Records)
Views: 49850 RoundMidnightTV

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