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Home Book Summary: Goldmine Standard Catalog of American Records 1948-1991 by Martin Popoff
 
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http://www.HomeBookMix.com This is the review of Goldmine Standard Catalog of American Records 1948-1991 by Martin Popoff.
Views: 22 HomeBooks
Using the Ancestry.com Card Catalog | Ancestry
 
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Much like a card catalog in a library shows you what books are available, the Ancestry Card Catalog is a listing of the databases available online. Join Crista Cowan as she shows you how to use this free resource to see what is available at Ancestry.com and how it will help your family history research. Start Your Journey Today: http://www.ancestry.com/s89637/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Using the Ancestry.com Card Catalog | Ancestry https://www.youtube.com/user/AncestryCom
Views: 42118 Ancestry
$10,800 Auction Records 2018 | Lincoln Penny Worth Money | Some of Valuable 1912 Lincoln Cent
 
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1st 1912-D 1C MS66 Red certified by PCGS sold for $10,800 at Coins Signature Auction Chicago on April 2018. 2nd coin 1C 1912 PCGS PR65+ RD CAC sold for $9,106 at Live Webcast Auction on January 2018. 3rd coin 1C 1912 PCGS MS67 RD sold for $8,812 in Live Webcast Auction in November 2018. 4th coin 1912-D MS-66 RD was sold for $4,200 in an stacks bowers Auctions in October 2018. 5th coin 1912 MS-66+ RD was sold for $3,840 in stacks bowers Auctions in June 2018. Welcome to Coin House where we give information on rare mint pieces, error and variety coins currencies to enable you to develop as an authority and help you grow as a collector. Comment, email me any inquiries or recommendations for recordings on coins. Remember to like and subscribe so we can keep in contact! Nothing can hide around the World. Lets Find something new. MUSIC USED ON CHANNEL CREATED BY: Backed Vibes Clean - Rollin at 5 by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400029 Artist: http://incompetech.com/ DISCLAIMER: Some non affiliate links may have been used throughout the video creation process of this content. Some Useful Links: The Official U.S. Mint Kennedy Half Dollars Coin Album: 1964-1987 : https://amzn.to/2GAaiFF The Guide Book of United States Coins: 2010 Limited Edition : https://amzn.to/2Sj06CQ A Guide Book of United States Coins 2017 by Whitman Publishing : https://amzn.to/2SiYucg A Guide Book of United States Coins 2017, 70th ed. Edition : https://amzn.to/2LABwLi The Official Guide Book to USA Coins by Kenneth Bressett : https://amzn.to/2GzoCyf A Guide Book of United States Coins by R. S. Yeoman : https://amzn.to/2ShV2OX Guide Book of U.S. Coins: The Official Redbook by R. S. Yeoman : https://amzn.to/2LvhlhK A Guide Book of United States Coins Mega Red 2018 by Whitman Publishing : https://amzn.to/2Sg9jf7 A Guide Book of United States Coins, 1997: Fully Illustrated Catalog and Retail Valuation List-1616 to Date (Paper) : https://amzn.to/2LvRm9Q A Guide Book of United States Coins 2011 : https://amzn.to/2GzpbIn 50 State Commemorative Quarters Collector's Map (includes both mints!) : https://amzn.to/2SePS6n The Metal Detecting Bible: Helpful Tips, Expert Tricks and Insider Secrets for Finding Hidden Treasures : https://amzn.to/2CuJzWT 2019 Official Red Book of United States Coins - Large Print Edition : https://amzn.to/2CtjYhd Cherrypickers' Guide to Rare Die Varieties of United States Coins, Sixth Edition, Volume I : https://amzn.to/2Sbs7fG Cherrypickers' Guide to Rare Die Varieties of United States Coins, Volume 2 : https://amzn.to/2BD7fqz Lincoln Cent 1909-1958 Collector's Folder (Warman's Collector Coin Folders) : https://amzn.to/2Sm7OfH Jefferson Nickels Folder Starting 1996 (Official Whitman Coin Folder) : https://amzn.to/2BBkYy8 Roosevelt Dimes Folder Starting 2005 (Official Whitman Coin Folder) : https://amzn.to/2AaUaES Lincoln Cents 1965-2015: Collector's Lincoln Cents Folder : https://amzn.to/2ShBQB4 2019 Standard Catalog of World Coins, 1901-2000 : https://amzn.to/2SfVygD The World Encyclopedia of Coins & Coin Collecting : https://amzn.to/2Lw5YpP 2019 North American Coins & Prices: A Guide to U.S. Canadian and Mexican Coins : https://amzn.to/2Sf8Mu0 Check for 1878-1904 Morgan Silver Dollar : https://amzn.to/2Lw45JL 2012 S Chaco Culture National Historical Park America the Beautiful Quarter PR-63 : https://amzn.to/2BKZHCj 1915 D Lincoln Head Cent Very Fine : https://amzn.to/2CsZVzg 1929 Lincoln Head Cent About Uncirculated : https://amzn.to/2BwGWC8 Coin Collection Starter Kit 60 Countries Coins 100% Original : https://amzn.to/2CsLQSy 180 Countries Coins Collection Set Fine Coins : https://amzn.to/2BBmVKY Beginners can keep Coin Collection Safe : Cardboard Coin Flips : https://amzn.to/2QQRvuE Coin and Currency Collecting Starter Bundle with Blue Album : https://amzn.to/2A8aB4Q
Views: 1599 Coin House
Sourcing Your Vitals - Citations for Birth, Marriage and Death Records | Ancestry
 
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Part of our continuing sourcing series, Ancestry Anne walks you through how to source vital records from Ancestry.com and elsewhere. Start Your Journey Today: http://www.ancestry.com/s89770/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Sourcing Your Vitals - Citations for Birth, Marriage and Death Records | Ancestry https://www.youtube.com/user/AncestryCom
Views: 8691 Ancestry
Our visit to Record Industry, one of world's largest vinyl pressing plants !
 
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Newsletter ▶https://authenticsound.leadpages.co/join/ Subscribe ▶https://www.youtube.com/c/authenticsound?sub_confirmation=1 All recordings ▶http://authenticsound.be/youtube.html ============================================== You know that Authentic Sound will become a platform for more than a YouTube channel alone. On of the projects that keeps us busy, is the recording label Authentic Sound Records. We are about to start to record Bach's partitas on our Studer Tape Recorder for release on vinyl on May 15th, 2017. In this video, we take you for a quick visit to Record Industry, one of the world's largest vinyl pressing plants in Haarlem, The Netherlands. Here is a bit of the history of this fascinating plant: (quoted from their website: http://www.recordindustry.com/index.php) In 1958 the pressing plant was founded by Dirk Slinger who was an oil trader. His sons Casper Dirk and Wim were responsible for running the plant under the name Artone, manufacturing only 7" records. The factory did not have a cutting studio and galvanic department yet. Lacquers were cut in Germany by mister Kliewer and metalparts were made by Vox-Imago also based in Germany. Because there was not enough room inside the pressing plant, a few years later Artone started their own galvanics in the Kruistraat, in the centre of Haarlem. In 1966 CBS bought a 50% share in Artone, and they started a printing company that year to make their own sleeves too. The first sleeve they printed made was for a Nancy Sinatra record, "Like I do". In 1962 they added 12" vinyl pressing and in 1969 CBS (Colombia) took over full ownership. In the seventies demand for vinyl was growing rapidly and CBS pressed more than 50 million records every year. Of Michael Jackson's album "Thriller" over 35 million copies were pressed in Haarlem in the eighties. The plants main focus was pressing the CBS catalog that was then merged with Sony Music. The plant was their most important vinyl production facility for Europe. In June 1998 Record Industry took over operation of the plant. Since then, a lot of effort, energy and knowledge has been invested in maintenance and development of the machinery, combining new techniques with the existing ones. History Quality What remained the same was the high Japanese quality standard, which Record Industry adopted from Sony Music Entertainment, and still use as the standard to live up to. As a result, the quantities of records being pressed went up drastically, from 2 million records per year in 1998 to almost 7 million in 2004. At the moment there is ahughe demand world wide for vinyl capacity. We have therefore enlarged our capacity by adding a double shift to the production, we're investing in new technology and hiring and training new staff. Record Industry strongly believes in a future for vinyl especially in the high quality audiophile market and we expect there will always be a demand for for that. ====================================================== Connect with me on: Facebook ▶https://www.facebook.com/Authentic-Sound-601076609974303/ Twitter ▶https://twitter.com/_WimWinters Website: ▶http://www.authenticsound.be
Views: 3449 AuthenticSound
Resources for African American Genealogy Research | Ancestry
 
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Ancestry.com has a lot of resources available for African American genealogy research. Join Crista Cowan as she highlights some of these collections and shares some tips and tricks for making use of these records. For more in this series check out the following videos. Quick Tips for African American Family History Research: http://www.youtube.com/watch?v=EtN_f0jcwFM Solving African American Family History Research Challenges: http://www.youtube.com/watch?v=jjrNuk9dY7Q Start Your Journey Today: http://www.ancestry.com/s89708/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Resources for African American Genealogy Research | Ancestry https://www.youtube.com/user/AncestryCom
Views: 23400 Ancestry
When You Can't Find A Death Record | Ancestry
 
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We all know the importance of finding documentation about the facts we put into our family tree. But, what happens when you can't find the records you need? Join Crista Cowan for a look at all the places you find death information. Start Your Journey Today: http://www.ancestry.com/s89537/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry When You Can't Find A Death Record | Ancestry https://www.youtube.com/user/AncestryCom
Views: 21262 Ancestry
WE BROKE THE STICK SHIFT CORVETTE WORLD RECORD!!! UNREAL PASS!
 
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HELL YEAH BROTHER T-Shirt now on Preorder! - https://goo.gl/V8q3Uq This might be the fastest I'll ever go in Leroy... -Leroy's ECU (Holley Dominator) - https://goo.gl/JjvakM -Precision Turbo (turbos, BOV, waste gates) - http://www.precisionturbo.net -Jeremy's Shop, Fasterproms (tuning) - (813) 476-7364 -Texas Speed & Performance - (512) 863-0900 -Motion Raceworks - (563) 345-7223 -ProFab Performance Plus - (727) 849-9300 -RPM Transmissions - www.rpmtransmissions.com -Billet T4 Flanges - www.streetcarrfabrication.com -CLEETUS MERCH - https://goo.gl/d2j71j "Leroy the Savage T-SHIRT" - https://goo.gl/2FSYaS “DO IT FOR DALE” Cleetus/1320Video T-Shirt - https://goo.gl/2jvjJw Cleetus "Twin Turbskies" T-Shirts - https://goo.gl/TYBLcV Motoloot Key Tags! - https://motoloot.com/search?type=prod... Music by Joakim Karud http://youtube.com/joakimkarud **Social Media: Instagram - https://goo.gl/LZvy5e Facebook - https://goo.gl/gdwhh1 **SEND ME FAN MAIL... (bald eagles welcome) Cleetus McFarland 6921 E St Rd 70 Bradenton FL 34203 United States of America
Views: 819637 Cleetus McFarland
Byron G. Harlan "Mamma's Boy" American Record disc circa 1904
 
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Byron G. Harlan sings "Mamma's Boy" on an American Record disc issued circa 1904. Music is by J. Fred Helf. Words are by Harry Sinclair. Harlan was born on August 29, 1861. The tenor became known as half of a popular duo, but Harlan made many records without Arthur Collins. Harlan specialized in sentimental ballads and rube numbers. He was born in Kansas as George Byron Harlan. An Edison catalog states that his birthplace was Lynn, Kansas, but Harlan's widow reported that the singer was born in Paris, Kansas. His father, George Winchester Harlan, moved the family to Sioux City, Iowa, to begin a brick business, then moved the family to Canton, South Dakota, where he operated an overland stage. The young Byron G. Harlan joined touring companies. Walsh writes in the March 1965 issue of Hobbies, "He got his first chance in...show business when Gus Brigham, a traveler for 'the Yanes Piano House,' heard him singing while he was working as a hotel clerk in South Dakota, and told the manager of the Hess Opera Company about him. Harlan became a member of the Newton Beers' 'Lost In London' company, then was with Hoyt's 'A Texas Steer' for three and one-half years..." At age 24 "he went to Chicago and studied music...After gaining valuable theatrical experience by his appearances in opera, he accepted a part with Otis Harlan in A Texas Steer. Later he became a producer and had a company of his own. His singing of 'coon' and 'rag' songs gained him much renown and when the phonograph came into general use he became an Edison artist." The statement that he was famous for singing "coon" and "rag" songs is curious since he almost never recorded such songs as a solo artist. Harlan formed his own "Lost In London" theatrical company and by 1899 reached Orange, New Jersey. Walter Miller, Edison's recording director, invited Harlan to make cylinders. Harlan's first record may be "Please, Mr. Conductor, Don't Put Me Off The Train," issued as Edison 7219 in the autumn of 1899. From the beginning he was associated with sentimental numbers. Harlan settled in Orange for the rest of his life and was a personal friend of Thomas A. Edison. Walsh writes in "The Funny Side of the Phonograph World" published in the May 1952 issue of American Record Guide, "When Byron was married, the inventor gave him the then latest model Edison cylinder phonograph as a wedding present, and when Mr. and Mrs. Harlan's daughter was graduated from high school, he presented her with an Official Model Diamond Disc instrument." Harlan made no Berliners. He made early Columbia discs though discs with low catalog numbers usually featured other singers on initial pressings, Harlan being issued on later pressings. Victor discs followed a session on October 31, 1902. On this date he worked as a solo artist but also was teamed with Arthur Collins, perhaps for the first time (in the previous year, Collins cut duets with tenor Joe Natus). Collins and Harlan recorded five titles during that Victor session. Around 1902, Harlan recorded ten Edison selections with whistler Joe Belmont. From 1901 to 1909 he made 50 Edison recordings with fellow Orange resident Frank C. Stanley. The two recorded for other companies, He was paired often with Steve Porter in rube sketches. His earliest regular partner was bass A.D. Madeira. An Edison ensemble called the Big Four Quartet combined the duo Harlan and Madeira with the duo Collins and Natus, and from this sprang eventually the team of Collins and Harlan. He probably cut more material for Leeds & Catlin in 1905 than any other artist. He was especially successful with "child" ballads, or songs with lyrics featuring a child's point of view. The February 1907 issue of Edison Phonograph Monthly states, "Mr. Harlan occupies an almost unique position in the talking machine world as a singer of these songs." A popular rube song is "They Gotta Quit Kickin' My Dawg Aroun'." It was among the first records he made after recovering from a serious illness in 1911 (Collins worked with Albert Campbell until Harlan was well again). The January 1912 issue of Edison Phonograph Monthly, announcing the March release of "I Want To Be Down Home In Dixie" performed by Collins and Harlan on Amberol 948, states, "Mr. Harlan is just getting around again after his long illness, and his voice sounds fresher and more pleasing than ever." In the 1910s Harlan as solo artist recorded fewer sentimental numbers. Songs with child or "kid" themes remained fashionable for female singers such as Irene Franklin and Frances White but not for male singers. Companies increasingly relied upon Will Oakland and Manuel Romain for sentimental material. Harlan as a solo artist performed mostly as a rube singer, sometimes using the name Cyrus Pippins. Other pseudonyms include Deacon Treadway (for Pathé), Bert Terry, Byron Holland, Chester Lincoln, and Cy Stebbins. He died on September 11, 1936.
Views: 199 Tim Gracyk
Home Book Summary: Goldmine Record Album Price Guide by Martin Popoff
 
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http://www.HomeBookMix.com This is the summary of Goldmine Record Album Price Guide by Martin Popoff.
Views: 47 HomeBooks
Bob Woods on Telarc's Legendary Catalog
 
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Craft Recordings has honored the legacy of Telarc Records by re-releasing four of its most famous titles in their long and storied catalog on vinyl LP for the first time in over thirty-five years. The LPs being reissued come from Telarc’s initial Soundstream recordings, which were digitalized recordings made on an Analogic MP8016 16-bit Analog to Digital convertor with a three-bit sync pattern and an even parity bit added to form a 20-bit word. These digital recordings were so good that even converted to analog LP, they set the gold standard for how digital recordings were made to transfer to vinyl that stood well into the future. The four LPs include Robert Shaw and the Atlanta Symphony Orchestra and Chorus performing Stravinsky’s Firebird Suite & Borodin’s Polovtsian Dances; Carl Orff’s Carmina Burana & Paul Hindemith’s Symphonic Metamorphosis; Erich Kunzel and the Cincinnati Symphony Orchestra performing Tchaikovsky’s 1812 Overture, Capriccio Italien and Cossack Dance from Mazeppa; and Seiji Ozawa and the Boston Symphony Orchestra with Joseph Silverstein (violin) performing Vivaldi’s The Four Seasons. These four vinyl LP’s will be pressed on 180-gram vinyl. These titles were specifically selected from Telarc’s vast classical catalog because they were the label’s all-time best-selling albums and are exceptionally rare in the LP marketplace today. All four of these LPs have been pressed by Optimal in Germany. All titles are available for pre-order at the newly launched Craft Recordings web store: https://found.ee/Classical-all-c Use the special offer code “TELARC15” for a 15% discount off two or more of these titles.
Views: 35 Telarc Records
Naturalization Records: What They Tell Me and Where To Find Them | Ancestry
 
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Did you ancestor become a U.S. citizen? Join Crista Cowan as she shares why naturalization documents are so important, what you can discover in these files, and where to find them. Start Your Journey Today: http://www.ancestry.com/s89766/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Naturalization Records: What They Tell Me and Where To Find Them | Ancestry https://www.youtube.com/user/AncestryCom
Views: 6437 Ancestry
Genealogy Introduction—Census Records at the National Archives
 
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PROGRAM: Know Your Records Program - Introduction to Genealogy (5 of 5 videos) LECTURE TITLE: Census Records by Constance Potter LECTURE DESCRIPTION: Archivist Constance Potter discusses U.S. Federal Census records from 1790 to 1930 and how they can be used for genealogical research. Census records are available in digital or microfilm form. LECTURER'S BIOGRAPHY: Constance Potter, an archivist at the National Archives in Washington, DC, specializes in federal records of interest to genealogists. She worked on the release of the 1920 and 1930 censuses.  She is the editor for "Genealogy Notes" in Prologue, the Journal of the National Archives and has written about the history of the National Archives for the Association of Professional Genealogists Quarterly and various topics for Prologue.  Potter is a regular speaker at the Federation of Genealogical Societies, the National Genealogical Society, the National Institute on Genealogical Research as well as local genealogical groups in Virginia and Maryland. Learn more about the Know Your Records program at http://www.archives.gov/calendar/know-your-records.
Views: 17104 US National Archives
Bob Woods on  Finding the Infamous Cannon Heard on 1812 Overture
 
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Craft Recordings has honored the legacy of Telarc Records by re-releasing four of its most famous titles in their long and storied catalog on vinyl LP for the first time in over thirty-five years. The LPs being reissued come from Telarc’s initial Soundstream recordings, which were digitalized recordings made on an Analogic MP8016 16-bit Analog to Digital convertor with a three-bit sync pattern and an even parity bit added to form a 20-bit word. These digital recordings were so good that even converted to analog LP, they set the gold standard for how digital recordings were made to transfer to vinyl that stood well into the future. The four LPs include Robert Shaw and the Atlanta Symphony Orchestra and Chorus performing Stravinsky’s Firebird Suite & Borodin’s Polovtsian Dances; Carl Orff’s Carmina Burana & Paul Hindemith’s Symphonic Metamorphosis; Erich Kunzel and the Cincinnati Symphony Orchestra performing Tchaikovsky’s 1812 Overture, Capriccio Italien and Cossack Dance from Mazeppa; and Seiji Ozawa and the Boston Symphony Orchestra with Joseph Silverstein (violin) performing Vivaldi’s The Four Seasons. These four vinyl LP’s will be pressed on 180-gram vinyl. These titles were specifically selected from Telarc’s vast classical catalog because they were the label’s all-time best-selling albums and are exceptionally rare in the LP marketplace today. All four of these LPs have been pressed by Optimal in Germany. All titles are available for pre-order at the newly launched Craft Recordings web store: https://found.ee/Classical-all-c Use the special offer code “TELARC15” for a 15% discount off two or more of these titles.
Views: 513 Telarc Records
Mina Hickman "Mexico" American Record Company RARE 1905 (popular before Ada Jones)
 
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Mina Hickman sings "Mexico" on an American Record Company disc issued around 1905. Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 519 Tim Gracyk
Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973, [Super 24bit HD Remaster], HQ
 
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Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973, [Super 24bit HD Remaster], HQ Recorded: December 10, 1973 Stax Studio's, Memphis, Tennessee Remixed & Remastered. "It's Midnight" is a 1974 song by Elvis Presley. It was written together by Jerry Chesnut and Billy Edd Wheeler. Elvis Presley recorded it during his December 10–16, 1973 recording sessions at Stax Records in Memphis. The session produced three more charting songs: "Promised Land", "If You Talk in Your Sleep" and "Help Me" ("If You Talk in Your Sleep"'s B-side). The song was first released in October 1974 as a B-side to a cover of Chuck Berry's "Promised Land" (While the Goldmine Standard Catalog of American Records indicates "Promised Land" as the A-side, different pressings have "It's Midnight" as the A-side and "Promised Land" as a B-side and vice versa.) "Promised Land" rose to number 14 on the Billboard Hot 100, while the two sides together (as "It's Midnight / Promised Land") and "It's Midnight" on its own charted on the Hot Country Singles chart. "It's Midnight" peaked on it at number 9 in January 1975. Billboard in its review of the album Promised Land (in the January 18, 1975 issue) picked "It's Midnight" as one of the best cuts on the album. https://en.wikipedia.org/wiki/It%27s_Midnight_(song) Elvis Presley's 1973 Recording Sessions at Stax Studios http://www.elvis-history-blog.com/elvis-stax.html Check out my friend Max H Channel. He's developed a mathematical approach to defeating the loudness war & restoring audio dynamics using The Golden Audio Curve. Sub to his channel here: https://www.youtube.com/channel/UCZIgse8tY55d6mThByA8K3A -------------------- SOURCE FILE: Taken from the bootleg album set: (2012) - Elvis Presley - Unedited Masters [4CD Box] CD3 - STAX 1973 ---------- HD REMASTER: Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973 foobar2000 1.3.19 / Dynamic Range Meter 1.1.1 log date: 2018-07-06 23:47:20 -------------------------------------------------------------------------------- Statistics for: Elvis Presley - It’s Midnight (Uncut, Undubbed, take 19) Stax 1973 Number of samples: 26976000 Duration: 4:41 -------------------------------------------------------------------------------- Peak Value: -0.17 dB --- -0.63 dB Avg RMS: -15.04 dB --- -15.33 dB DR channel: 11.13 dB --- 11.04 dB -------------------------------------------------------------------------------- Official DR Value: DR11 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 4608 kbps Codec: PCM ======================================== Software Used: Adobe Audition CC iZotope RX6 Advanced SBX Pro Studio FXSound Enhancer Foobar2000 (Resampler SoX Mod2) Terry West - Relife Waves - RBass Stereo Waves - S1 Shuffler-Stereo Waves - Center-Stereo Ozone 8 - Imager Zynaptiq Unchirp Remastered using iZotope Ozone 8 + Neutron 2 Tonal Balance Control Elvis Presley - Bootlegs (Super 24bit HD Remasters) https://www.youtube.com/playlist?list=PLGxZmf7kgdISDpe1fImdKUSdKYqQT7Fg2 ..... *If you enjoyed the video you watched - Let me know you were here by leaving a Like (thumbs up) or Comment. Thanks! Subscribe if you like my channel :)
Views: 598 HD_AUDIO
Billy Murray “I’m Glad I’m Married" Edison Standard Record 10018, issued in December 1908
 
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Billy Murray sings "I'm Glad I'm Married" on Edison Standard Record 10018, issued in December 1908. Music is by Albert Von Tilzer. Music is by Jack Norworth. Billy Murray (25 May 1877 - 17 August 1954) was arguably the most popular recording artist of the acoustic era. He worked as a solo artist but was equally comfortable in duets, trios, quartets, and quintets. His ability to adapt to changing musical trends resulted in heavy session work from 1903 until the advent of electric recording. Though his popularity was in decline after 1925 or so, he recorded steadily until the onset of the Great Depression, even returning to studios during World War II. William Thomas Murray "squalled for the first time in 1877" in Philadelphia, according to an article attributed to Murray and titled "My Twin--The Phonograph" in the January 1917 issue of Edison Phonograph Monthly. His parents, Patrick Murray (born in 1849) and Julia Kelleher Murray, appear to have emigrated from County Kerry, Ireland, when young. The family moved from the East to Denver, Colorado. Victor catalogs nicknamed him "The Denver Nightingale." Printed in 1912 was a record slip for Edison Blue Amberol 1602, featuring "When I Get You Alone Tonight," which gives some biographical information. It states, "Billy Murray...ran away from his home in Denver when but thirteen years old, and after working as a newsboy and jockey in San Francisco, returned to Denver and got a job as property man in a local theater. He became friendly with the night watchman of the theater, and together they originated a singing and dancing act, which they practiced in secret in a nearby barn, until finally they were able to try it on the stage." When he was around 16, his parents allowed him to join Harry Leavitt's High Rollers Troupe as an actor in 1893. Harry Leavitt was a touring impresario. In 1897 Murray and Matt Keefe visited the Bacigalupi Brothers in San Francisco. Murray cites an earlier year in "My Twin--The Phonograph," but the fact that one song recorded was published in 1897 suggests he was off by a year. Murray states, "In 1896 I was trouping with a minstrel show, and finally landed in 'Frisco.' The Edison Jobbers in San Francisco were Bacigalupi Brothers, and one of the members of the firm, or one of their customers, attended a performance at which Matt Kief [sic], the famous minstrel, and myself sang 'The County Mayo'['The Lass From The County Mayo']...As a result, Matt and I were engaged to go to the store and make some records of the song. At that time many dealers had devices by which eight records could be made at once, and Matt and I were set to work in front of one of these." No Bacigalupi cylinders by Murray are known to exist. Murray soon joined the Al. G. Field Greater Minstrels as a blackface singer and dancer. When the troupe reached New York City, Murray visited record companies. Murray came with letters of introduction from the Edison distributor in San Francisco, testifying that cylinders made for local distribution had been successful and that he was a "natural" recording artist. Murray secured an engagement with Edison's National Phonograph Company. His first Edison cylinders, probably the first Murray records to be marketed nationwide, were released in August 1903. The July 1903 issue of Edison Phonograph Monthly announced the August release of the "coon" songs "I'm Thinkin' of You All of de While" (8452) and "Alec Busby, Don't Go Away" (8453). It also calls Murray "a new man on our staff of entertainers." The performances were probably recorded in June 1903. He cut the same two titles for Victor in September though no Victor takes of "Alec Busby, Don't Go Away," a song by Hughie Cannon, were issued. At this time, artists such as Harry Macdonough, Arthur Collins, Byron G. Harlan, the team of Collins and Harlan, Albert Benzler, Frank C. Stanley, and the Edison Concert Band recorded so regularly for Edison's National Phonograph Company that a new title featuring each artist was issued virtually each month, year after year. The young Murray joined these veterans, a new cylinder being issued nearly each month, year after year. Other release dates and titles from his first year as an Edison artist include the following (after each song title is a genre type cited in Edison promotional literature, followed by the cylinder number): September 1903: "I Could Never Love Like That" ("Coon song"), 8477 November 1903: "Under a Panama" ("Coon song"), 8541 December 1903: "Bedelia" ("Irish coon serenade"), 8550 December 1903: "Up in the Cocoanut Tree" ("Love song of the cocoanut grove"), 8564 January 1904: "Under the Anheuser Bush" ("Waltz song with orchestra accompaniment"), 8575 Columbia records featuring Murray were possibly made slightly earlier, but Murray himself told Quentin Riggs that his initial East Coast recordings were made for Edison in 1903. Murray's first Victor session was on September 2, 1903.
Views: 136 Tim Gracyk
Seven Mary Three - Dead Days In The Kitchen
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 8610 CYHQ
Mina Hickman "Sylvie" American Record Company 030932 RARE 1905 (popular before Ada Jones)
 
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Mina Hickman sings "Sylvie" on American Record Company disc #030932. This was recorded in late 1904 and issued in February 1905. Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 91 Tim Gracyk
Byron G. Harlan "Can't You See" Edison Standard Record 10347 (1910)
 
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Byron G. Harlan sings "Can't You See?" on Edison Standard Record 10347, issued in 1910. Words are by Alfred Bryan (1871-1958). Music is by Albert Gumble (1883-1946). Byron G. Harlan was born on August 29, 1861. The tenor became known as half of a popular duo, but Harlan made many records without Arthur Collins. Harlan specialized in sentimental ballads and rube numbers. He was born in Kansas as George Byron Harlan. An Edison catalog states that his birthplace was Lynn, Kansas, but Harlan's widow reported that the singer was born in Paris, Kansas. His father, George Winchester Harlan, moved the family to Sioux City, Iowa, to begin a brick business, then moved the family to Canton, South Dakota, where he operated an overland stage. The young Byron G. Harlan joined touring companies. Walsh writes in the March 1965 issue of Hobbies, "He got his first chance in...show business when Gus Brigham, a traveler for 'the Yanes Piano House,' heard him singing while he was working as a hotel clerk in South Dakota, and told the manager of the Hess Opera Company about him. Harlan became a member of the Newton Beers' 'Lost In London' company, then was with Hoyt's 'A Texas Steer' for three and one-half years..." At age 24 "he went to Chicago and studied music...After gaining valuable theatrical experience by his appearances in opera, he accepted a part with Otis Harlan in A Texas Steer. Later he became a producer and had a company of his own. His singing of 'coon' and 'rag' songs gained him much renown and when the phonograph came into general use he became an Edison artist." Harlan formed his own "Lost In London" theatrical company and by 1899 reached Orange, New Jersey. Walter Miller, Edison's recording director, invited Harlan to make cylinders. Harlan's first record may be "Please, Mr. Conductor, Don't Put Me Off The Train," issued as Edison 7219 in the autumn of 1899. From the beginning he was associated with sentimental numbers. Harlan settled in Orange for the rest of his life and was a personal friend of Thomas A. Edison. Walsh writes in "The Funny Side of the Phonograph World" published in the May 1952 issue of American Record Guide, "When Byron was married, the inventor gave him the then latest model Edison cylinder phonograph as a wedding present, and when Mr. and Mrs. Harlan's daughter was graduated from high school, he presented her with an Official Model Diamond Disc instrument." Harlan made no Berliners. He made early Columbia discs though discs with low catalog numbers usually featured other singers on initial pressings, Harlan being issued on later pressings. Victor discs followed a session on October 31, 1902. On this date he worked as a solo artist but also was teamed with Arthur Collins, perhaps for the first time (in the previous year, Collins cut duets with tenor Joe Natus). Collins and Harlan recorded five titles during that Victor session. Around 1902, Harlan recorded ten Edison selections with whistler Joe Belmont. From 1901 to 1909 he made 50 Edison recordings with fellow Orange resident Frank C. Stanley. The two recorded for other companies, He was paired often with Steve Porter in rube sketches. His earliest regular partner was bass A.D. Madeira. An Edison ensemble called the Big Four Quartet combined the duo Harlan and Madeira with the duo Collins and Natus, and from this sprang eventually the team of Collins and Harlan. He probably cut more material for Leeds & Catlin in 1905 than any other artist. He was especially successful with "child" ballads, or songs with lyrics featuring a child's point of view. The February 1907 issue of Edison Phonograph Monthly states, "Mr. Harlan occupies an almost unique position in the talking machine world as a singer of these songs." A popular rube song is "They Gotta Quit Kickin' My Dawg Aroun'." It was among the first records he made after recovering from a serious illness in 1911 (Collins worked with Albert Campbell until Harlan was well again). The January 1912 issue of Edison Phonograph Monthly, announcing the March release of "I Want To Be Down Home In Dixie" performed by Collins and Harlan on Amberol 948, states, "Mr. Harlan is just getting around again after his long illness, and his voice sounds fresher and more pleasing than ever." In the 1910s Harlan as solo artist recorded fewer sentimental numbers. Songs with child or "kid" themes remained fashionable for female singers such as Irene Franklin and Frances White but not for male singers. Companies increasingly relied upon Will Oakland and Manuel Romain for sentimental material. Harlan as a solo artist performed mostly as a rube singer, sometimes using the name Cyrus Pippins. Other pseudonyms include Deacon Treadway (for Pathé), Bert Terry, Byron Holland, Chester Lincoln, and Cy Stebbins. He died on September 11, 1936.
Views: 440 Tim Gracyk
Fat Wreck Chords presents PEEPSHOW (Full VHS 1997)
 
41:37
Published by Fat Wreck Chords on May 20, 1997 and currently out of their catalogue. For more Fat Wreck Chords DVDs and VHS visit their online store: https://www.fatwreck.com/store/videos/DVD Music Videos: GOOBER PATROL: Easy Life 00:57 NOFX: I Wanna Be An Alcoholic 05:28 LAGWAGON: Razorburn 06:21 NO USE FOR A NAME: Soulmate 09:58 SCREW 32: Misunderstood 15:32 HI-STANDARD: Maximum Overdrive 19:05 BRACKET: 2RAK005 22:59 GOOD RIDANCE: Steps 25:57 SNUFF: Standing in the Shadows of Love 29:36 SWINGIN UTTERS: Windspitting Punk 33:01 TILT: Libel 35:38 STRUNG OUT: Bring Out Your Dead 39:22 ME FIRST AND THE GIMME GIMMES: Danny's Song (Sorry, not included!)
Views: 16296 S.Kärt
Ada Jones "Just Plain Folks" on Edison Standard Record 9085 (1905)
 
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Ada Jones sings "Just Plain Folks" on Edison Standard Record 9085, issued in 1905. Ada Jones lived from June 1, 1873, to May 2, 1922. She was the leading female recording artist in the acoustic recording era, especially popular from 1905 to 1912 or so. Her singing range was limited, but she was remarkably versatile, successful with vaudeville sketches, sentimental ballads, hits from Broadway shows, British music hall material, "coon" and ragtime songs, and Irish comic songs. She was known for an ability to mimic dialects. Victor catalogs listed roles at which she excelled: "Whether Miss Jones' impersonation be that of a darky wench, a little German maiden, a 'fresh' saleslady, a cowboy girl, a country damsel, Mrs. Flanagan or an Irish colleen, a Bowery tough girl, a newsboy or a grandmother, it is invariably a perfect one of its kind." Columbia catalogs as late as 1921 stated: "Miss Jones is without question the cleverest singer of soubrette songs, popular child ballads and popular ragtime hits adaptable for the soprano voice now recording for any Company. She is also one of the most popular singers in the record field and her records have been heard in all quarters of the globe. Her duet records with Mr. [Walter] Van Brunt, unique and entertaining as they are, have also come in for unlimited popular approval." Despite this high praise in Columbia's 1921 catalog, very little of her vast output was available by the early 1920s. For example, of the nearly two hundred titles that she recorded for Columbia from 1904 to 1917, only six remained in the catalog by 1921--five duets and one solo effort, "Cross My Heart and Hope To Die." She was born in her parents' home at 78 Manchester Street in Oldham, Lancashire, England. Her father, James Jones, ran an inn, or public house, named The British Flag--the original building no longer stands. Her mother's maiden name was Ann Jane Walsh. Ada was baptized on June 15 in Oldham's St. Patrick's Church as Ada Jane Jones. Her birth was registered on August 18, 1873. The family moved to Philadelphia by 1879 (documents show that a brother was born there in that year). Her mother died and her father remarried. Ada's stepmother, Annie Douglas Maloney, encouraged Ada to make stage appearances, and "Little Ada Jones" was on the cover of sheet music in the early 1880s. One example is the sheet music for Harry S. Miller's "Barney's Parting" (1883). The January 1921 issue of Farm and Fireside duplicates an 1886 photograph showing Ada Jones as "Jack, a stable boy with song." Ada's stepmother had been hired to make or mend drapes for the Edison company. The Jones family at that time lived nearby in Newark, New Jersey. It is likely that at the studio she saw an opportunity for her talented stepdaughter. Ada's earliest recordings were brown wax cylinders made for Edison in late 1893 or early 1894 (no recording logs of this period exist). Two surviving cylinders are "Sweet Marie" (North American 1289), a song by Raymon Moore, and "The Volunteer Organist" (North American 1292). They are among the earliest commercial recordings of a female singing as a solo artist. Estimating how many female singers preceded Jones is difficult. Moreover, nothing is known of singers such as "Miss Lillian Cleaver, the phenomenal contralto of the Howard Burlesque Co."--she is included in an 1892 New Jersey Phonograph Company catalog described by Jim Walsh in the October 1958 issue of Hobbies. Though Jones would later win fame as a performer of comic numbers, her brown wax cylinders give no hint of her comic talents. During most of her recording years she resided in Huntington Station, Long Island, New York. She died of uremic poisoning (kidney failure) in Rocky Mount, North Carolina, on May 2, 1922, while on a performing tour. Ada Jones is buried in Saint Patrick's Cemetery in Huntington, New York (Section C, Plot 70).
Views: 22 Tim Gracyk
Free Records Available on Ancestry.com | Ancestry
 
27:22
Did you know that there are hundreds of free databases available on Ancestry.com? Join Crista Cowan for a look at the records available to you even without a current subscription. She'll show you how to access them, how to search them, and how to attach them to your tree. She'll also share some tips for making note of what you want to search the next time you renew your subscription. Start Your Journey Today: http://www.ancestry.com/s89567/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Free Records Available on Ancestry.com | Ancestry https://www.youtube.com/user/AncestryCom
Views: 35212 Ancestry
Mina Hickman "Mexico" American Record Company RARE 1905 (popular before Ada Jones)
 
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Mina Hickman sings "Mexico" on an American Record Company disc issued around 1905. American Record Company ‎– 031001 Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 28 Tim Gracyk
How to Find Marriage Records on Ancestry.com | Ancestry
 
23:39
Want to know what marriage records are on Ancestry.com? Want to know how best to search them to find your ancestors? Join Crista Cowan for the first in a 4-part series on marriage records. She will help you discover what marriage records exist and which of those are available on Ancestry.com. She'll also share her best search tips and tricks to help you find the marriage records of your family members. View Part Two of this series here: http://www.youtube.com/watch?v=RcXkWevEt8k Start Your Journey Today: http://www.ancestry.com/s89683/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry How to Find Marriage Records on Ancestry.com | Ancestry https://www.youtube.com/user/AncestryCom
Views: 9973 Ancestry
Seven Mary Three - Laughing Out Loud
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 19505 CYHQ
Seven Mary Three - Strangely At Home Here
 
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BIOGRAPHY Seven Mary Three are a quintessentially American band. Guitar. Guitar. Bass. Drums. An arsenal of chords and the truth. It's this simplicity coupled with a bond with each other and their fans over a fifteen year career that has kept the band moving forward long after many of their contemporaries have disbanded. It's their personal powerful songs that have sustained the band through mainstream flirtations with ska, swing, electronica, emo, and (insert the next big thing here). Seven Mary Three continues to develop its following because they continue to evolve musically while connecting with the listener. With a string of top ten singles from the massive hit "Cumbersome" to 2001s "Wait" under their belt, the band has continually found a home on the radio. Yet there's so much more to Seven Mary Three than the songs that have fared so well on the charts. Powerful lyrics. A depth in songwriting. Seven Mary Three's fans cling to every word Jason Ross emits from his soft to raspy voice. Whether it's fiction or personal truth, each song holds a story that means so much more than just singing along. This is a band that had a platinum debut, charted each of their first four albums while, and continues to produce vital music while building a groundswell of critical acclaim in the process. Formed in 1993 while teenagers at the College of William & Mary in Virginia, Seven Mary Three took their name from the 70s cult TV show CHiPs. After a few years of honing their sound in Virginia clubs, the band began to turn heads in their native Florida with their self-released debut Churn. The song "Cumbersome" found support at hometown rock station WJRR in Orlando, and when added to rotation in early 1995 the song sparked an immediate reaction from fans and the industry. A record deal with Mammoth/Atlantic soon followed, and band members managed to graduate from college in May, re-record much of Churn to form their major label debut American Standard (1995) in June, have a hit single nationwide with "Cumbersome" in August, and enjoy a platinum release by years end. Both "Water's Edge" and "My My" from the debut also found their way into the top 10, and Seven Mary Three lived on the road supporting the record and building its reputation as a powerful live act. A parting of Mammoth and Atlantic held up release of Seven Mary Three's follow-up Rock Crown (1997). The record explored darker and more personal material, highlighted by the acoustic top ten single "Lucky". Fans often mention Rock Crown as their favorite Seven Mary Three release. The band's third release Orange Avenue (1998) is a more straightforward pop/rock album with great songs like the top ten single "Over Your Shoulder" and haunting "Each Little Mystery". Album number four, The Economy of Sound (2001), found the band back on Mammoth with their most accomplished record to date. Soaring vocals. Insightful lyrics. The album brought the band much deserved critical acclaim while continuing their string of top ten singles with "Wait". Recorded with Brain Paulson (Wilco, Beck, The Jayhawks), Dis/Location (2004) is a down and dirty rock record driven by big riffs and a sonic overload. Seven Mary Three returned to the studio with Paulson to record day&nightdriving (2008) a perfect marriage of surging dark rock anthems and quiet introspective acoustic songs. Inspired by the changing landscape of the music industry, Seven Mary Three formed its own record company in 2008 called Settle Up Records, and re-released their long out of print debut Churn. In addition to standard release formats, the band sold a deluxe version of Churn exclusively on their website and social networking platforms. In November 2009, Settle Up Records released Backbooth in standard and deluxe formats. Recorded in Orlando, FL at a private show for its' most passionate fans, Backbooth documents Seven Mary Three in its' simplest form--great songs, mostly acoustic instrumentation, and an intimate setting. In addition to classic Seven Mary Three songs ("Lucky", "Wait"), the record includes previously unreleased ("Untitled") and rare ("Don't Walk With the Devil") gems from their catalog, and a stunning cover of Otis' Reddings "That's How Strong My Love Is". Seven Mary Three is first and foremost a live band, having toured with Aerosmith, Matchbox Twenty, and Three Doors Down and headlining countless festivals and club shows. In the past five years, the band has performed at multiple NASCAR races, opened the National Hockey League season for the NY Islanders, and performed at the Major League Baseball All-Star Game that aired nationally on ESPN. Seven Mary Three is currently on tour and working on their seventh studio album. SEVEN MARY THREE: Jason Ross: vocals, guitar Casey Daniel: bass Thomas Juliano: guitar Mike Levesque: drums
Views: 51344 CYHQ
Are You Saving That Record to the Right Person in Your Family Tree? | Ancestry
 
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Sometimes you find records through hints. Sometimes you find them through suggested records. And, sometimes you find them through searching. No matter how you get to the record, you need to be sure you are saving the right record to the right person. Join Crista Cowan for a quick look at how to make sure you are saving the right records to the right people in the right way. Start Your Journey Today: http://www.ancestry.com/s89107/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Are You Saving That Record to the Right Person in Your Family Tree? | Ancestry https://www.youtube.com/user/AncestryCom
Views: 8640 Ancestry
Ada Jones "Jack and Jill" Edison Standard Record 9627 (1907) George M. Cohan
 
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Ada Jones sings "Jack and Jill" on Edison Standard Record 9627, issued in 1907. The song is from George M. Cohan's show Fifty Miles From Boston. Ada Jones lived from June 1, 1873, to May 2, 1922. She was the leading female recording artist in the acoustic recording era, especially popular from 1905 to 1912 or so. Her singing range was limited, but she was remarkably versatile, successful with vaudeville sketches, sentimental ballads, hits from Broadway shows, British music hall material, "coon" and ragtime songs, and Irish comic songs. She was known for an ability to mimic dialects. Victor catalogs listed roles at which she excelled: "Whether Miss Jones' impersonation be that of a darky wench, a little German maiden, a 'fresh' saleslady, a cowboy girl, a country damsel, Mrs. Flanagan or an Irish colleen, a Bowery tough girl, a newsboy or a grandmother, it is invariably a perfect one of its kind." Columbia catalogs as late as 1921 stated: "Miss Jones is without question the cleverest singer of soubrette songs, popular child ballads and popular ragtime hits adaptable for the soprano voice now recording for any Company. She is also one of the most popular singers in the record field and her records have been heard in all quarters of the globe. Her duet records with Mr. [Walter] Van Brunt, unique and entertaining as they are, have also come in for unlimited popular approval." Despite this high praise in Columbia's 1921 catalog, very little of her vast output was available by the early 1920s. For example, of the nearly two hundred titles that she recorded for Columbia from 1904 to 1917, only six remained in the catalog by 1921--five duets and one solo effort, "Cross My Heart and Hope To Die." She was born in her parents' home at 78 Manchester Street in Oldham, Lancashire, England. Her father, James Jones, ran an inn, or public house, named The British Flag--the original building no longer stands. Her mother's maiden name was Ann Jane Walsh. Ada was baptized on June 15 in Oldham's St. Patrick's Church as Ada Jane Jones. Her birth was registered on August 18, 1873. The family moved to Philadelphia by 1879 (documents show that a brother was born there in that year). Her mother died and her father remarried. Ada's stepmother, Annie Douglas Maloney, encouraged Ada to make stage appearances, and "Little Ada Jones" was on the cover of sheet music in the early 1880s. One example is the sheet music for Harry S. Miller's "Barney's Parting" (1883). The January 1921 issue of Farm and Fireside duplicates an 1886 photograph showing Ada Jones as "Jack, a stable boy with song." Ada's stepmother had been hired to make or mend drapes for the Edison company. The Jones family at that time lived nearby in Newark, New Jersey. It is likely that at the studio she saw an opportunity for her talented stepdaughter. Ada's earliest recordings were brown wax cylinders made for Edison in late 1893 or early 1894 (no recording logs of this period exist). Two surviving cylinders are "Sweet Marie" (North American 1289), a song by Raymon Moore, and "The Volunteer Organist" (North American 1292). They are among the earliest commercial recordings of a female singing as a solo artist. Estimating how many female singers preceded Jones is difficult. Moreover, nothing is known of singers such as "Miss Lillian Cleaver, the phenomenal contralto of the Howard Burlesque Co."--she is included in an 1892 New Jersey Phonograph Company catalog described by Jim Walsh in the October 1958 issue of Hobbies. Though Jones would later win fame as a performer of comic numbers, her brown wax cylinders give no hint of her comic talents. During most of her recording years she resided in Huntington Station, Long Island, New York. She died of uremic poisoning (kidney failure) in Rocky Mount, North Carolina, on May 2, 1922, while on a performing tour. Ada Jones is buried in Saint Patrick's Cemetery in Huntington, New York (Section C, Plot 70).
Views: 452 Tim Gracyk
"My Little Canoe" Mina Hickman (most popular female to make records before Ada Jones?) 1904
 
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Mina Hickman sings "My Little Canoe" on American Record Company disc #030847 from 1904, issued early 1905. Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist. In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these. Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751). Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued. She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570). In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976). She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292. Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles. From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
Views: 67 Tim Gracyk
The most feared song in jazz, explained
 
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Making sense of John Coltrane's "Giant Steps." Follow Vox Earworm on Facebook for more: http://www.facebook.com/VoxEarworm And be sure to check out Earworm's complete first season here: http://bit.ly/2QCwhMH John Coltrane, one of jazz history’s most revered saxophonists, released “Giant Steps” in 1959. It’s known across the jazz world as one of the most challenging compositions to improvise over for two reasons - it’s fast and it’s in three keys. Braxton Cook and Adam Neely give me a crash course in music theory to help me understand this notoriously difficult song, and I’m bringing you along for the ride. Even if you don’t understand a lick of music theory, you’ll likely walk away with an appreciation for this musical puzzle. Braxton Cook: https://www.braxtoncook.com/ Adam Neely: https://www.youtube.com/adamneely Some songs don't just stick in your head, they change the music world forever. Join Estelle Caswell on a musical journey to discover the stories behind your favorite songs. Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com. Watch our full video catalog: http://goo.gl/IZONyE Follow Vox on Facebook: http://goo.gl/U2g06o Or Twitter: http://goo.gl/XFrZ5H
Views: 4058707 Vox
Conjunto Lirico Antillano - Dos Almas - Standard F-4013-A
 
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Title: Dos Almas Artist: Conjunto Lirico Antillano Accompaniment: vocal: Manolín y Claudio Record Label: Standard Catalog Number: F-4013-A Matrix Number: 10-200 Recording Format: 78 Notes: Two Souls. Cantan Manolín y Claudio. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/dos-almas-20 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
Views: 121 Frontera Collection
Otis Redding - Merry Christmas Baby (Atco Records 1967)
 
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"Merry Christmas Baby" is an R & B Christmas standard written by Lou Baxter and Johnny Moore. The original 1947 version by Johnny Moore's Three Trailblazers (featuring singer/pianist Charles Brown (musician), is the definitive version of this song. Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967) was an American singer-songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul and rhythm and blues. His singing style was powerfully influential among soul artists of 1960s and helped exemplify the Stax sound. Born and raised in the US state of Georgia, Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and also performing at talent shows for prize money. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, and toured the Southern states as a driver and musician. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine," in 1962. Stax released Redding's debut album Pain in My Heart two years later. Initially popular mainly with African Americans, Redding later reached a wider American popular music audience. Along with his group, he first played small gigs in the American South, then performed in the western states at the popular Los Angeles night club Whisky a Go Go. European appearances included London, Paris and other major cities. After appearing at the 1967 Monterey Pop Festival, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts after his death in a plane crash. The Dock of the Bay became the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that Atlantic Records owned the rights to his entire song catalog. Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. He received the honorific nickname King of Soul. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs. Merry Christmas baby Sure do treat me nice Merry Christmas baby Sure do treat me nice Bought me a diamond ring for Christmas I feel like I'm in paradise I feel mighty fine, y'all I've got music on my radio Feel mighty fine, girl I've got music on my radio, ho, ho, ho I feel like I'm gonna kiss you Standing beneath that mistletoe Santa came down the chimney Half past three, y'all Left all them good ole presents For my baby and for me, ha, ha, ha Merry Christmas baby Sure do treat me nice You bought me all those good ole presents I love you baby rest of my life Merry Christmas, girl Merry, merry, merry Christmas baby Sure do treat me nice Merry Christmas baby I said you sure do treat me nice You bought all those lovely things, yeah I feel like I'm in paradise I wish you a merry Christmas baby Happy new year, ha A merry Christams, honey Everything here is beautiful I love you, baby For everything that you give me I love you, honey...
Views: 7452721 ChristmasTimeTV
How to Find Pre-1850 Ancestors | Ancestry
 
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Join Ancestry's own barefoot genealogist, Crista Cowan, as she shows you the answer to this week's question: How do I find my ancestors before 1850? Start Your Journey Today: http://www.ancestry.com/s89910/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry How to Find Pre-1850 Ancestors | Ancestry https://www.youtube.com/user/AncestryCom
Views: 102033 Ancestry
Meet North Carolina
 
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Creator(s): U.S. Information Agency. 1982-10/1/1999 (Most Recent) Series: Moving Images Relating to U.S. Domestic and International Activities , 1982 - 1999 Record Group 306: Records of the U.S. Information Agency, 1900 - 2003 Date: ca. early 1950s Original Description: The grandeur of the Great Smokies, the rolling beauty of the Blue Ridge, the historic North Carolina coast are brought to the screen in superb natural color. You'll visit Manteo, to witness scenes from the "Lost Colony" pageant. You'll explore the picturesque but little·known Outer Banks. You'll see and hear one of the famous tobacco auctioneers as he conducts a tobacco sale. You'll be shown a panorama of year-round sports, against a back-drop of gorgeous scenery from mountain top to blue sea. Description Source: "Teaching Aids Concerning the Publishing Industry" published by Esso Standard Oil Company and reproduced in Robert L. Hurley's 1956 Master's thesis "The Esso Refinery, Everett, Mass.: an Analysis and Evaluation of Its Public Relations Policies and Practices" (https://open.bu.edu/handle/2144/17190) Contact(s): National Archives at College Park - Motion Pictures (RDSM), National Archives at College Park 8601 Adelphi Road, College Park, MD 20740-6001 Phone: 301-837-3540, Fax: 301-837-3620, Email: [email protected] National Archives Identifier: 50841 Local Identifier: 306.4611 Catalog: https://catalog.archives.gov/id/50841
Views: 30451 US National Archives
"He Didn't Know How To Use It" Billy Heins 1904 American Record Company disc BIOGRAPHY OF BILLY HEIN
 
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Billy Heins sings "He Didn't Know How To Use It," comic number issued in 1904 on American Record Company disc #030899. Billy Heins recorded comic and topical numbers for various companies. In 1898 he made three Edison cylinders: "I Want Them Presents Back" (1136), "Hugh McCue" (1137), and "Baby Lize" (1138). In 1899 he made cylinders with the Ancient City Quartet as part of a minstrel series, with numbers ranging from 4700 to 4705. A typical number is "Remus Take The Cake" (4703). He was among the first to make Zon-o-phone discs (seven-inch and nine-inch ones), beginning in 1900. In 1904 he recorded "Dis-pos-zes Means Move" (5954), "Down On The Brandywine" (5955), "Follow The Merry Crowd" (5958), "Hooray For A Holiday" (5965), and "Meet Me In St. Louis, Louis" (5972). These are nine-inch discs. The September 1905 American Record catalog identifies Heins as a baritone. He recorded for American in 1904 and 1905 such titles as "Bill Was There" (030563), "The Color Was Wrong" (030898), and "Money Was Made For Coons To Spend" (030897). As far as is known, these were his final recorded performances as a solo artist. He cut comic routines with Billy Golden in 1917 following the death on March 21, 1917, of Golden's recording partner James Marlowe. One Golden and Heins Victor disc features "A Trip To Paradise" backed by "The Death Of Towser" (35641), recorded on May 24, 1917. The other Victor disc, also twelve-inch, features "In A Bird Store" and "Up For Sentence" (35659). The two made Paramount and Okeh discs around this time. For Rex they cut "A Scheme To Enter Heaven" (5478). For Edison, Golden and Heins made seven Diamond Discs and a number of Blue Amberols, such as "Colored Recruits" (3546) and "Aunt Phoebe's Wedding Day" (4421). In the August 1973 issue of Hobbies, Jim Walsh stated that the comedian "was still living about 20 years ago." Social Security records show that a William Heins was born on November 29, 1874, and died in New York in July 1971. Whether this was the recording artist is unknown.
Views: 77 Tim Gracyk
Sammy Chan : I Should Care - John Wilson Orchestra.
 
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Sammy Cahn 1913 – 1993 was an American lyricist, songwriter and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin. He won the Academy Award four times for his songs, including the popular song "Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. "I Should Care" is a popular song with music and words by Axel Stordahl, Paul Weston and Sammy Cahn, published in 1944. It first appeared in the MGM film Thrill of a Romance. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 (in USA) and by EMI on the His Master's Voice labels as catalog number B 10389. The song has become a popular standard, and a jazz standard, with recordings by many artists. On this video various pictorial studies of the ironic phrase 'I Should Care'. The music suggests a reflective mood with a inclination for melancholy thought about what might have been. Who knows if the other path was taken where one would be now. Perhaps in a parallel universe all will be revealed! Love the George Shearing Sound on this lovely arrangement! Thanks to John Wilson and to Richard Rodney Bennett for this musical gem... A fantastic album with a classically smooth orchestral approach to popular standards all beautifully arranged by Richard Rodney Bennett with John Wilson. Album Info:- I should Care - Sammy Chan 'Orchestral Jazz' Richard Rodney Bennett and the John Wilson Orchestra. 2000 Vocalion Label Still available at Amazon. Apologies for any unintended infringement of copyright. In mitigation there is no element of profit or personal gain in the making of this video and any offence caused is totally unintentional
Views: 242 Jayne Anne Strutt
Everyday Victory - Wither (Rise Records back catalog circa 1999)
 
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iTunes: http://smarturl.it/ev-oceans-airplanes Rise Records back catalog circa 1999
Views: 1460 riserecords
Conjunto Lírico Antillano - Cuando Me Querras? - Standard F-4011-A
 
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Title: Cuando Me Querras? Artist: Conjunto Lírico Antillano Accompaniment: vocal: Vitín Y Claudio Record Label: Standard Catalog Number: F-4011-A Matrix Number: 10-196 Recording Format: 78 Notes: Added 7/25/07. Cantan Vitín y Claudio View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/cuando-me-querras-0 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
Views: 168 Frontera Collection
Conjunto Lírico Antillano - La Negra Micaela - Standard F-4011-B
 
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Title: La Negra Micaela Artist: Conjunto Lírico Antillano Accompaniment: vocal: Vitín Y Claudio Record Label: Standard Catalog Number: F-4011-B Matrix Number: 10-202 Recording Format: 78 Notes: Added 7/25/07. Cantan Vitín y Claudio. Nice. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/la-negra-micaela-0 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american The Arhoolie Foundation does not sell the music in the Frontera collection. We welcome your comments and suggestions but we can not sell you this music in any format. Thank you! - La Fundación Arhoolie no vende la música en la colección Frontera. Le damos la bienvenida a sus comentarios y sugerencias, pero no podemos venderle esta música en ningún formato. ¡Gracias!
Resolution of Conflicting Evidence | Genealogical Proof Standard | Ancestry
 
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Join Crista Cowan for the fifth in our series on the Genealogical Proof Standard (GPS). Step four is "resolution of conflicting evidence." You will learn both WHY this is such an important step in your research process and HOW to do it. Start Your Journey Today: http://www.ancestry.com/s89496/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Resolution of Conflicting Evidence | Genealogical Proof Standard | Ancestry https://www.youtube.com/user/AncestryCom
Views: 11604 Ancestry
Ada Jones "Oh You Blondy!" Edison Standard Record 10384 issued 1910
 
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Ada Jones sings "Oh You Blondy!" on Edison Standard Record 10384, issued in 1910. Words are by Arthur Longbrake. Music is by Eddie Edwards. Ada Jones lived from June 1, 1873, to May 2, 1922. She was the leading female recording artist in the acoustic recording era, especially popular from 1905 to 1912 or so. Her singing range was limited, but she was remarkably versatile, successful with vaudeville sketches, sentimental ballads, hits from Broadway shows, British music hall material, "coon" and ragtime songs, and Irish comic songs. She was known for an ability to mimic dialects. Victor catalogs listed roles at which she excelled: "Whether Miss Jones' impersonation be that of a darky wench, a little German maiden, a 'fresh' saleslady, a cowboy girl, a country damsel, Mrs. Flanagan or an Irish colleen, a Bowery tough girl, a newsboy or a grandmother, it is invariably a perfect one of its kind." Columbia catalogs as late as 1921 stated: "Miss Jones is without question the cleverest singer of soubrette songs, popular child ballads and popular ragtime hits adaptable for the soprano voice now recording for any Company. She is also one of the most popular singers in the record field and her records have been heard in all quarters of the globe. Her duet records with Mr. [Walter] Van Brunt, unique and entertaining as they are, have also come in for unlimited popular approval." Despite this high praise in Columbia's 1921 catalog, very little of her vast output was available by the early 1920s. For example, of the nearly two hundred titles that she recorded for Columbia from 1904 to 1917, only six remained in the catalog by 1921--five duets and one solo effort, "Cross My Heart and Hope To Die." She was born in her parents' home at 78 Manchester Street in Oldham, Lancashire, England. Her father, James Jones, ran an inn, or public house, named The British Flag--the original building no longer stands. Her mother's maiden name was Ann Jane Walsh. Ada was baptized on June 15 in Oldham's St. Patrick's Church as Ada Jane Jones. Her birth was registered on August 18, 1873. The family moved to Philadelphia by 1879 (documents show that a brother was born there in that year). Her mother died and her father remarried. Ada's stepmother, Annie Douglas Maloney, encouraged Ada to make stage appearances, and "Little Ada Jones" was on the cover of sheet music in the early 1880s. One example is the sheet music for Harry S. Miller's "Barney's Parting" (1883). The January 1921 issue of Farm and Fireside duplicates an 1886 photograph showing Ada Jones as "Jack, a stable boy with song." Ada's stepmother had been hired to make or mend drapes for the Edison company. The Jones family at that time lived nearby in Newark, New Jersey. It is likely that at the studio she saw an opportunity for her talented stepdaughter. Ada's earliest recordings were brown wax cylinders made for Edison in late 1893 or early 1894 (no recording logs of this period exist). Two surviving cylinders are "Sweet Marie" (North American 1289), a song by Raymon Moore, and "The Volunteer Organist" (North American 1292). They are among the earliest commercial recordings of a female singing as a solo artist. Estimating how many female singers preceded Jones is difficult. Moreover, nothing is known of singers such as "Miss Lillian Cleaver, the phenomenal contralto of the Howard Burlesque Co."--she is included in an 1892 New Jersey Phonograph Company catalog described by Jim Walsh in the October 1958 issue of Hobbies. Though Jones would later win fame as a performer of comic numbers, her brown wax cylinders give no hint of her comic talents. During most of her recording years she resided in Huntington Station, Long Island, New York. She died of uremic poisoning (kidney failure) in Rocky Mount, North Carolina, on May 2, 1922, while on a performing tour. Ada Jones is buried in Saint Patrick's Cemetery in Huntington, New York (Section C, Plot 70).
Views: 278 Tim Gracyk
Double Standard - Brain Done (Imac Riddim) Grenada soca 2018
 
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Produced by: Cantstop Records Artiste: Double Standard Song: Brain Done Mixed by: Anil "CantStop Boss" Holder Mastered by: Marvin "Powa" Thomas _________________________________________________________________ Contact: 1-473-536-4816 Intagram: @cantstoprecords_anilholder Email: [email protected], [email protected] Facebook: https://www.facebook.com/cantstoprecords
Views: 375 CANTSTOP RECORDS
Frank Del Gado - Bello Mar - Latin American ERC-126-B
 
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Title: Bello Mar Artist: Frank Del Gado Accompaniment: Y Su Orquesta Record Label: Latin American Catalog Number: ERC-126-B Matrix Number: ERC-126-B Recording Format: 78 Notes: Grabado En Mexico. View more information about this and other recordings at the University of California at Los Angeles' Frontera website: http://frontera.library.ucla.edu/recordings/bello-mar-1 This recording is from the Arhoolie Foundation’s Strachwitz Collection of Mexican American and Mexican Recordings. For more information about the Arhoolie Foundation visit our website at: http://www.arhoolie.org For detailed information about the Frontera Collection read the book The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza with Jonathan Clark and Chris Strachwitz. http://www.chicano.ucla.edu/publications/book/arhoolie-foundations-strachwitz-frontera-collection-mexican-and-mexican-american
Four Most Recent Auction With Highest of $21,600 | Lincoln Penny Worth Money | Lincoln Cent
 
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1st 1913-S Lincoln Cent MS-66 RD that certified by PCGS and it sold for $21,600 at stacksbowers Auctions in August 2018. Next coin is 1913-S 1C MS65+ Red that sold for $9,000 at US Coins Signature Auction Long Beach on September 2018. Next coin is 1913-S 1C MS65 Red that sold for $4,440 in US Coins Signature Auction - Beverly Hills in November 2018. Next coin is 1913-S MS-65+ RD was sold for $3,600 in an stacksbowers Auctions in October 2018. Welcome to Coin House where we give information on rare mint pieces, error and variety coins currencies to enable you to develop as an authority and help you grow as a collector. Comment, email me any inquiries or recommendations for recordings on coins. Remember to like and subscribe so we can keep in contact! Nothing can hide around the World. Lets Find something new. MUSIC USED ON CHANNEL CREATED BY: Backed Vibes Clean - Rollin at 5 by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400029 Artist: http://incompetech.com/ DISCLAIMER: Some non affiliate links may have been used throughout the video creation process of this content. Some Useful Links: The Official U.S. Mint Kennedy Half Dollars Coin Album: 1964-1987 : https://amzn.to/2GAaiFF The Guide Book of United States Coins: 2010 Limited Edition : https://amzn.to/2Sj06CQ A Guide Book of United States Coins 2017 by Whitman Publishing : https://amzn.to/2SiYucg A Guide Book of United States Coins 2017, 70th ed. Edition : https://amzn.to/2LABwLi The Official Guide Book to USA Coins by Kenneth Bressett : https://amzn.to/2GzoCyf A Guide Book of United States Coins by R. S. Yeoman : https://amzn.to/2ShV2OX Guide Book of U.S. Coins: The Official Redbook by R. S. Yeoman : https://amzn.to/2LvhlhK A Guide Book of United States Coins Mega Red 2018 by Whitman Publishing : https://amzn.to/2Sg9jf7 A Guide Book of United States Coins, 1997: Fully Illustrated Catalog and Retail Valuation List-1616 to Date (Paper) : https://amzn.to/2LvRm9Q A Guide Book of United States Coins 2011 : https://amzn.to/2GzpbIn 50 State Commemorative Quarters Collector's Map (includes both mints!) : https://amzn.to/2SePS6n The Metal Detecting Bible: Helpful Tips, Expert Tricks and Insider Secrets for Finding Hidden Treasures : https://amzn.to/2CuJzWT 2019 Official Red Book of United States Coins - Large Print Edition : https://amzn.to/2CtjYhd Cherrypickers' Guide to Rare Die Varieties of United States Coins, Sixth Edition, Volume I : https://amzn.to/2Sbs7fG Cherrypickers' Guide to Rare Die Varieties of United States Coins, Volume 2 : https://amzn.to/2BD7fqz Lincoln Cent 1909-1958 Collector's Folder (Warman's Collector Coin Folders) : https://amzn.to/2Sm7OfH Jefferson Nickels Folder Starting 1996 (Official Whitman Coin Folder) : https://amzn.to/2BBkYy8 Roosevelt Dimes Folder Starting 2005 (Official Whitman Coin Folder) : https://amzn.to/2AaUaES Lincoln Cents 1965-2015: Collector's Lincoln Cents Folder : https://amzn.to/2ShBQB4 2019 Standard Catalog of World Coins, 1901-2000 : https://amzn.to/2SfVygD The World Encyclopedia of Coins & Coin Collecting : https://amzn.to/2Lw5YpP 2019 North American Coins & Prices: A Guide to U.S. Canadian and Mexican Coins : https://amzn.to/2Sf8Mu0 Check for 1878-1904 Morgan Silver Dollar : https://amzn.to/2Lw45JL 2012 S Chaco Culture National Historical Park America the Beautiful Quarter PR-63 : https://amzn.to/2BKZHCj 1915 D Lincoln Head Cent Very Fine : https://amzn.to/2CsZVzg 1929 Lincoln Head Cent About Uncirculated : https://amzn.to/2BwGWC8 Coin Collection Starter Kit 60 Countries Coins 100% Original : https://amzn.to/2CsLQSy 180 Countries Coins Collection Set Fine Coins : https://amzn.to/2BBmVKY Beginners can keep Coin Collection Safe : Cardboard Coin Flips : https://amzn.to/2QQRvuE Coin and Currency Collecting Starter Bundle with Blue Album : https://amzn.to/2A8aB4Q
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Understanding SAR/DAR Applications in Genealogy | Ancestry
 
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Do you have an ancestor that fought in the Revolutionary War? Crista will show you how to find, search, and understand the applications submitted over generations for inclusion in the Sons of the American Revolution (SAR) and Daughters of the American Revolution (DAR) organizations. Start Your Journey Today: http://www.ancestry.com/s89769/t38352/rd.ashx Subscribe: http://www.youtube.com/channel/UCsc0AQkAh_2cQmxqwD6VWRw?sub_confirmation=1 About Ancestry: Bringing together science and self-discovery, Ancestry helps everyone, everywhere discover the story of what led to them. Our sophisticated engineering and technology harnesses family history and consumer genomics, combining billions of rich historical records and millions of family trees to over 10 million and counting to provide people with deeply meaningful insights about who they are and where they come from. We’ve pioneered and defined this category, developing new innovations and technologies that have reinvented how people make family history discoveries. And these discoveries can give everyone a greater sense of identity, relatedness, and their place in the world. Connect with Ancestry: Visit Ancestry’s Official Site: https://www.ancestry.com/ Like Ancestry on Facebook: https://www.facebook.com/Ancestry/ Follow Ancestry on Twitter: https://twitter.com/Ancestry Follow Ancestry on Instagram: https://www.instagram.com/ancestry Understanding SAR/DAR Applications in Genealogy | Ancestry https://www.youtube.com/user/AncestryCom
Views: 9250 Ancestry

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